“Joyful—now there’s a word we haven’t used in a while.” —Louise Glück
Snow! Glorious snow.
The prairie is adrift with powdery snow, underlaid with ice. Sure, it makes it tougher to get around.
But don’t you love how the snow crystals catch in the prairie dock leaves?
Do you delight in how bright the world suddenly seems?
Do you marvel at how the snow freshens the worn-out and weary? Changes your perspective?
The temperatures are plummeting to minus seven. Minus seven! And yet. It doesn’t matter. Because—that snow!
This week, the world still feels out of kilter. Topsy-turvy.
I’ve forgotten what “normal” is.
But today, that’s okay.
Even clearing the driveway to drive to the prairie isn’t so bad, knowing a hike awaits.
It all feels worthwhile. There are still shadows. But the world seems like a more hopeful place.
Full of possibilities. Potential.
Because of the snow.
I’m reading the Pulitzer Prize winning, Nobel Prize winning, the you-name-it-she’s-won-it prize-winning poet Louise Glück’s (1943-) latest, Winter Recipes from the Collective. It’s a cold, dark read, with a little bit of hope. Good January poetry. Read more about Glück here.
Join Cindy for a program this winter!
“100 Years Around the Morton Arboretum” — Wednesday, January 26, 6:30pm-8:30 pm. Watch history come to life in this special centennial-themed lecture about The Morton Arboretum. Celebrating 100 years, The Morton Arboretum has a fascinating past. Two of the Arboretum’s most knowledgeable historians, author Cindy Crosby and the ever-amazing library collections manager Rita Hassert, will share stories of the Mortons, the Arboretum, and the trees that make this place such a treasure. Join us via Zoom from the comfort of your home. (Now all online). Register here.
February 8-March 1 (Three evenings, 6:30-9pm): The Foundations of Nature Writing Online —Learn the nuts and bolts of excellent nature writing and improve your wordsmithing skills in this online course from The Morton Arboretum. Over the course of four weeks, you will complete three self-paced e-learning modules and attend weekly scheduled Zoom sessions with your instructor and classmates. Whether you’re a blogger, a novelist, a poet, or simply enjoy keeping a personal journal, writing is a fun and meaningful way to deepen your connection to the natural world. February 8, noon Central time: Access self-paced materials online. February 15, 22, and March 1, 6:30 p.m. to 9:00 p.m. Central time: Attend live. Register here.
March 3–Tallgrass Prairie Ecology Online –online class with assignments over 60 days; one live Zoom together. Digitally explore the intricacies of the tallgrass prairie landscape and learn how to restore these signature American ecosystems. Look at the history of this particular type of grassland from the descent of glaciers over the Midwest millions of years ago to the introduction of John Deere’s famous plow to where we are today. We will examine different types of prairie, explore the plant and animal communities of the prairie, and discuss strategies specific to restoring prairies in this engaging online course. Come away with a better understanding of prairies and key insights into how to restore their beauty. You will have 60 days to access the materials. Register here.
“It’s the first day of autumn! A time of hot chocolatey mornings, and toasty marshmallow evenings, and, best of all, leaping into leaves!”—Winnie the Pooh
Happy autumnal equinox! It’s the first day of astronomical fall. Daylight hours shorten. The air looks a little pixeled, a little grainy. Soon, we’ll eat dinner in the dark, sleep, and rise in the mornings to more darkness. Some of us will embrace this change, in love with the season. Others will count the days until December 21, the winter solstice, to see the daylight hours lengthen again.
Wait, you might ask. Cindy—didn’t you say it was the first day of fall back on September 1? Yes indeed, I did—the first day of meteorological fall! There are two ways of calculating when the seasons begin. Meteorological fall begins on the first of September each year. Astronomical fall begins on the fall equinox. Read more about the way scientists calculate the seasons here.
The knowledge that these warm days full of light are fleeting sends Jeff and me to hike Belmont Prairie in Downers Grove, Illinois. The parking lot is full, but the prairie is mostly empty. We love this prairie remnant for its solitude; its timeless grace in the midst of suburbia.
The prairie is dusty. Crisp. Once again, we need a good, steady rain, with none in the forecast for the next ten days. Overhead it’s cloudless; a blank blue slate. I was scrolling through paint samples online this week, and came across the exact color of the sky: “Fond Farewell.” Exactly.
Although the prairie is awash in golds, it won’t be long until the flowers fade and the brightness dims. I remind myself to take joy in the moment.
Big bluestem, blighted by drought, still flashes its gorgeous colors. I love its jointed stems. No wonder it is Illinois’ state grass!
The brushed silver joints are not the only silver on the prairie. Along the trail are the skeletal remains of plants, perhaps in the Brassica family. What species are they? I’m not sure. Whatever these were, they are now ghosts of their former selves.
The flowers of showy goldenrod are busy with pollinators, such as this paper wasp (below). The wasps don’t have the smart publicity agents and good press of monarchs and bees, so are often overlooked as a positive presence in the garden.
Then again, if you’ve ever been chased by wasps as I have after disturbing a nest —and been painfully stung—you’ll give them a respectful distance.
Tall coreopsis is almost finished for the season, but a few sunshiny blooms remain.
Sawtooth sunflowers, goldenrod, and tall boneset wash together in a celebration of autumn, now at crescendo.
So much yellow! Sumac splashes scarlet across the tallgrass, adding a dash of red. As a prairie steward on other tallgrass sites, I find this native sumac a nuisance. It stealthily infiltrates the prairie and displaces some of the other species I want to thrive. However, toward the end of September, I feel more generous of spirit. Who can resist those leaves, backlit by the low slant of sun, that echo a stained glass window?
The withering summer prairie blooms are now upstaged by the stars of autumn: asters in white and multiple hues of pink, lavender and violet. New England aster provides the best bang for the buck. That purple! It’s a challenge to remember its updated scientific name: Symphyotrichum novae-angliae. Try saying that three times quickly! A real tongue twister. I miss the simpler name, Aster novae-angliae. So easy to remember. But everything changes as science discovers more about the world. It’s up to us to choose to listen, learn, and adapt rather than just doing what is easy.
The periwinkle hues of the smooth blue aster are unlike any other color on the prairie. I stop to caress its trademark smooth, cool leaves.
Every time I look closely at the asters, I see pollinators. And more pollinators. From little flying insects I can’t identify to the ubiquitous cabbage white butterflies and bumblebees, heavy with pollen. And, yes—those ever-present wasps.
Delicate pale pink biennial gaura, with its own tiny pollinators, is easily overlooked, out-glitzed by the prairie’s golds and purples, but worth discovering. Flies, like this one below stopping by the gaura, are also pollinators, but like the wasps they get little respect for the important work they do.
Soon, the glory of the prairie will be in scaffolding and bone: the structure of the plants, the diversity of shape. You can see the prairie begin its shift from bloom to seed, although blooms still predominate.
Breathe in. September is the fragrance of gray-headed coneflower seeds, crushed between your fingers.
September is the pungent thymol of wild bergamot, released by rubbing a leaf or a dry seedhead.
Inhale the prairie air; a mixture of old grass, wood smoke, with a crisp cold top note, even on a warm day. Chew on a mountain mint leaf, tough from the long season, and you’ll get a zing of pleasure. Listen to the geese, honking their way across the sky, or the insects humming in the grass.
Then, find a milkweed pod cracked open, with its pappus —- silks—just waiting to be released. Go ahead. Pull out a few of these parachute seeds. Feel their softness. Imagine what one seed may do next season! I try to think like a milkweed seed. Take flight. Explore. Plant yourself in new places. Nourish monarch butterflies. Offer nectar to bumblebees. Lend beauty wherever you find yourself.
Close your eyes. Make a wish.
Now, release it to the wind.
The opening quote is from Pooh’s Grand Adventure by A.A. Milne. Before he penned the popular children’s book series about a bear named Winnie the Pooh, Milne was known as a playwright and wrote several mystery novels and poems.
All photos are from Belmont Prairie Nature Preserve in Downers Grove, IL, this week unless otherwise noted (top to bottom): bee or common drone fly (tough to tell apart) on panicled aster (Symphyotrichum lanceolatum), author’s backyard prairie, Glen Ellyn, IL; Belmont Prairie sign; wildflowers and grasses in September; big bluestem (Andropogon gerardii); something from the Brassica family maybe? Genus and species unknown; Canada goldenrod (Solidago canadensis); and other goldenrods; dark paper wasp (Polistes fuscates) on showy goldenrod (Solidago speciosa); tall coreopsis (Coreopsis tripteris); wildflowers of Belmont Prairie in September; staghorn sumac (Rhus typhina); new england aster (Symphyotrichum novae-angliae); smooth blue aster (Symphyotrichum laeve); dark paper wasp (Polistes fuscates) on panicled aster (Symphyotrichum lanceolatum), author’s backyard prairie, Glen Ellyn, IL; biennial gaura (Gaura biennis); blazing star (Liatris sp.); gray-headed coneflower seedheads (Ratibida pinnata), Schulenberg Prairie, The Morton Arboretum, Lisle, IL (2019); bee balm (Monarda fistulosa), Schulenberg Prairie, The Morton Arboretum, Lisle, IL (2018); common mountain mint (Pycnanthemum virginianum), Afton Prairie, DeKalb, IL (2017); butterfly milkweed (Asclepias tuberosa).
Join Cindy for a class—or ask her to speak virtually for your organization this autumn!
“Nature Writing Online” begins Monday, October 5, through The Morton Arboretum. Want to commit to improving and fine-tuning your writing for six weeks? This is a great opportunity to jump start your blog, your book, or your journal writing while working online from home, supplemented with three evenings of live evening Zoom classes on alternate weeks. Class size is limited; register here.
Just released in June! Chasing Dragonflies: A Natural, Cultural, and Personal History.
“‘Remember, the firemen are rarely necessary. The public itself stopped reading of its own accord.’”– from Ray Bradbury’s Fahrenheit 451, on burning books.
While hiking an unfamiliar prairie this past weekend, I came to a stream, limned with ice.
The bridge spanning the waterway was gone. Hmmm. My choices were simple. I could turn back. Hop from slick rock to slick rock. Or, wade the shallows to the other side, and get my feet wet. Reluctantly, I chose the path of least resistance and retraced my path. The rest of the prairie would have to wait for another day’s exploration, better footwear, or the bridge repair.
As one who seeks to know new places more intimately, I’m reminded that the loss of bridges—connecting points—-matter.
As a writer, I get that as well. Words are bridges. They have the capability to connect us to places—and to dynamic ideas. They elicit memory. They provoke action. They stimulate emotion. They are a springboard for the imagination.
How many times has a parent told you, “Her first word was—-.” Or a grieving person: “His last words were—–.” Words are significant! Our ancestors also knew the importance of words. The First Amendment notes, “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press… .” Words matter. Losing words matters.
When we lose particular words about place, we lose part of the collective memory of our people. These words comprise a slice of our identity. They are the language of the place in which we live. More specifically, when we lose prairie-related vocabulary, we break links that join us to the tallgrass; specific identifiers that bind us to a place.
Words are one way we give human voice to a land that speaks in prairie dropseed, bobolinks, and dung beetles. Naming things brings them to our attention, just as learning the name of someone we meet makes them more memorable, more “real” to us.
When we learn the name for a particular sedge or a specific bee, we can visualize it, even when it isn’t in front of us. In a time when tallgrass prairie is dubbed one of the most threatened natural areas on earth, to lose any of these names is to lose some of our momentum in cherishing and caring for it.
We’re lazy. We don’t have enough time, do we? It’s easier to use non-descriptive, bland words that trip easily off the tongue. Ecosystem. Landscape. Grasses. Plants. Bugs. Use generalities and the prairie becomes a blur, a non-entity.
There is rhythm and motion in the prairie vocabulary; joy in the particulars. Delight in the common names: Canada wild rye. Regal fritillary. Hoary puccoon. Cream wild indigo. Try saying some of the scientific names out loud: Bison bison. (That double whammy! Like a drumbeat.) Or, Monarda fistulosa. Spiza americana. Let thesedescriptive words roll off your tongue: Mesic.Mollisols. Loess.
Speak the words. Keep them in front of people.
It’s a fragile hold we have on these words. Don’t let anyone tell you otherwise.
As we draw toward the winter solstice on Thursday—the shortest, darkest day of the year—remember the light that words can bring into the world. Words of color and sound. Words of hope. Words of restoration. Words of promise.
Specific words matter.
Let’s use them.
Ray Bradbury’s (1920-2012) short, powerful book Fahrenheit 451, written in 1953 about a post-literate society,seems almost prophetic more than six decades later. Bradbury’s writing spanned many genres, from science fiction to fantasy, as well as a terrific book, Zen in the Art of Writing on the craft of putting words together well.My favorite is Dandelion Wine, his fictional memoir of growing up in Illinois.
All photos copyright Cindy Crosby (top to bottom): Willoway Brook, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; blown-out Queen Anne’s lace (Daucus carota) seedheads on Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; Indian grass (Sorghastrum nutans) Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; wild quinine (Parthenium integrifolium), Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; mixed grasses with smartweed (Polygonum spp.) around the pond at Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; mountain mint (probably Pycnanthemum virginianum), Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve DeKalb, IL; mixed grasses including Indian grass (Sorghastrum nutans) and switchgrass (Panicum virgatum) on Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; mixed grasses with little bluestem (Schizachyrium scoparium) on Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; Canada wild rye, Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; unknown sunflower seedheads (Helianthus spp.) with Canada wild rye (Elymus canadensis) Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; wild cucumber (Echinocystis lobata), Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; sunset, Russell Kirt Prairie, College of DuPage Natural Areas, Glen Ellyn, IL.
Thanks to John Heneghan and Tricia Lowery for taking us to Afton Prairie for our first visit there. And thanks to Joshua Clark and the good folks at DeKalb County Forest Preserve who care for Afton Prairie and its associated beautiful natural areas. Once again, a big shout-out to Paul Marcum and the ID gurus at Illinois Botany Facebook page for help with wild cucumber.
Cindy Crosby is the author, compiler, or contributor to more than 20 books. Her most recent is "Chasing Dragonflies: A Natural, Cultural, and Personal History" (Northwestern University Press, 2020). She teaches prairie ecology, nature writing, and natural history classes, and is a prairie steward who has volunteered countless hours in prairie restoration. See Cindy's upcoming online speaking events and classes at www.cindycrosby.com.