“When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else.” — Georgia O’Keeffe
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If you want to get to know a flower, sit with it for an hour. Put down your camera and break out a sketchpad. I reminded myself of this truism as I marveled at the bloodroot in bloom this week. There is a large colony, right on the edges of the prairie proper. Before the prairie becomes a riot of wildflowers later in the spring, there is a chance to really focus on single species.
Little on the prairie is in flower right now, other than the pasque flowers beginning to fade, in their dreamy sort of way of saying goodbye…
…and the wood betony crinkling into the promise of bloom—soon!
Meanwhile, bloodroot is throwing a party on the prairie edges. In one sunny patch, I counted more than 500 blooms. I’ve always thought the best way to really get to know a plant is to sit with it for a while. So, I found a little bare patch in the colony and settled in for an hour with my sketchpad.
When you draw a plant –regardless of your artistic skill–you see it with new eyes.
As I sketched, I thought about some reading I did about bloodroot recently in preparation for teaching my spring wildflower classes. I ran across a scholarly, yet charming, article for the Virginia Native Plant Society from W. John Hayden at University of Richmond. The bloodroot’s life strategy, Hayden says, is “Hurry, wait, and hedge against uncertain fate.”
Because bloodroot blooms so early in the spring, Hayden tells us, it has some fascinating ways to ensure pollination. Flowering so early is risky. Bloodroot flowers close during cold, drizzly spring weather and also at night, making it tough for insects (mostly bees) to pollinate the plant.
So bloodroot hedges its bets. The third day a flower is open, Hayden says, the stamens of the flower bend inward, bringing the anthers and pollen into direct contact with the stigma. In other words, if all else fails, the flower can pollinate itself and seeds will be produced. I looked closely at a few older bloodroot blooms, and saw what Hayden was talking about.
Pollinators were busier on this sunny day than jets over Chicago O’Hare International Airport. Honey bees from our prairie hives regularly dropped in, probably disappointed to discover the bloodroot flower is devoid of nectar. Pollen, however, it has in spades.
Bee flies—fuzzy flies that imitate bees—were frequent visitors as well.
Plus a host of other insects that moved too fast for me to try and ID them.
As I sketched different plants in various stages of emergence and bloom, I looked closely for the first time at the way they held their leaves.
Jack Sanders, author of The Secrets of Wildflowers, compares emerging bloodroot to a mother protecting her baby with her cloak (the veiny scalloped leaf wrapped around flower stalk and bud). Apt description, isn’t it?
As I sketched one bloodroot bud, I was astonished to see it begin to unfold! I grabbed my camera. In less than 60 seconds, it went from almost closed to completely open.
As the bloodroot seeds drop to the ground, ants pick them up and carry them back to their nests. The seeds hold a fleshy treat called elaiosome, which the ant will enjoy. Try saying that word out loud! It sounds like a secret password for something exciting, doesn’t it? (Elaiosome!)
The discarded seed is dispersed away from the mother flower, and has fertile ground—the ant nest—to sprout from. The second vocabulary word for me of the day was myrmecochory, a tongue-twister which means simply means “seed dispersal by ants.”
In My First Summer in the Sierra, John Muir wrote, “When we try to pick out anything by itself, we find it hitched to everything else in the Universe.”
The complexity and relationships of just one species of wildflower are a good reminder of Muir’s observation.
I put away my sketchpad and marvel.
How can we not?
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Artist Georgia O’Keeffe (1887-) grew up in Wisconsin, one of seven children. She studied at the Art Institute of Chicago, and also in New York. She married Alfred Stieglitz, a photographer and art dealer. Known for her renderings of flowers, O’Keeffe died in 1986, almost completely blind at 98, but still finding ways to paint.
All photos and video copyright Cindy Crosby (top to bottom): pasque flowers (Pulsatilla patens), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; wood betony (Pedicularis canadensis), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis), East Woods, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis) with honeybee (Apis sp.), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis) with bee fly (Bombyliidae family) Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis) with unknown flying pollinator, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bloodroot (Sanguinaria canadensis), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; video of bloodroot (Sanguinaria canadensis) opening, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL.