Tag Archives: midewin national tallgrass prairie

A Year of Reading Prairie

“I declare after all there is no enjoyment like reading! How much sooner one tires of any thing than of a book! — When I have a house of my own, I shall be miserable if I have not an excellent library.” –Jane Austen

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December is here, and my bookshelves are overflowing. Some books are stacked on the floor; other shelves have two rows of books instead of one. And yet…. my Christmas list includes more books. Where will I ever put them all?

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I’ve tried to pare down some of my inventory. But when I get to my prairie books, the winnowing stops. I thumb through old favorites. Sigh over a few that I’ve skimmed and want to spend more time with. I run my fingers over their book jackets and add them to the piles of books already on (and under) the nightstand.

By reading these field guides and coffee table books and essays on the tallgrass,  I’m building my relationship with the prairie. That feels good, especially on a day this week when 60 mph winds roared across the tallgrass and kept me indoors.

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When I was an independent bookseller, I believed for every question, there was a book that might help me wrestle with the question—even if the answers were still fuzzy.  As a prairie steward and naturalist, I love the wide range of literature that helps me explore the natural world. You too?

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As 2019 draws to a close, it’s time to take an annual romp through my prairie bookshelves together. The books below are not a comprehensive reading list by any means. Some of the prairie books I own are out on loan and don’t appear here; some of them are temporarily out of sight (likely in that pile by the coffee table) or being used as coasters (!!!). I didn’t have room to include books on gardening with native plants, like the passionate A New Garden Ethic by Benjamin Vogt or Doug Tallamy’s Bringing Nature Home…. or even the biographies of prairie heroes, such as Arthur Melville Pearson’s excellent book on George Fell, Force of Nature. These books that follow also have more to do with prairie plants than other members of the prairie community (so no field guides given here on butterflies, mammals, dragonflies–another bookshelf full of great reads to discuss on a different day).

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All are ones that as a prairie enthusiast, prairie lover, and prairie steward I spend a lot of time browsing, recommending, or giving as gifts. They focus specifically on prairie history, prairie restoration, and prairie plants. Ready? Let’s go!

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Is that a prairie plant—or a weed? I get this question a lot. And the answer isn’t always as simple as you’d think. When I first hiked the tallgrass prairie in 1998, I didn’t know foxtail grass from Canada wild rye. I’m still learning my plants. As I wrangle with questions about tallgrass prairie plant ID’s, I look to great field guides like the Tallgrass Prairie Wildflowers Falcon Guide (Doug Ladd and Frank Oberle) (available new and used in several editions). My copy, which replaced a falling apart earlier edition, is dogeared fromuse in the field. Ditto for my well-thumbed Newcomb’s Wildflower Guide by Lawrence Newcomb. An updated edition is available now, although I’d find it difficult to trade my old annotated one in. I appreciate Newcomb’s for general wildflower ID, in the prairie, woodlands, and wetlands.

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I’m a big fan of Andrew Hipp’s Field Guide to Wisconsin Sedges. His easy-to-use guide, with the smart drawings by the talented Rachel Davis, give me hope that maybe this season I’ll learn a few more members of my prairie, wetland, and savanna community. Sedges are hard.

The book behind Andrew’s is Wildflowers of the Tallgrass Prairie: The Upper Midwest by Sylvan Runkle and Dean Roosa. My first edition is long out of print, but the awesome  folks at University of Iowa Press published a second edition with better photographs; check it out here.  Short ethnobotanical stories for each prairie plant make this book a winner, with a bit of explanation on plant scientific names.

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If you’re really serious about learning your grasses and wildflowers—and you live in the Chicago Region—you’ve probably already purchased Gerould Wilhelm and Laura Rericha’s Flora of the Chicago Region.

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With 3,200 plant species in the 22-counties it covers described along with each plant’s neighboring plant associations, insect associations, and “C” value (plus some awesome illustrations), this unique book belongs on every prairie steward’s bookshelf.  At $125, the holidays are a good time to put it on your wish list. My copy weighs 10 lbs, so I get a good workout just carrying it around.  After a morning taking notes in the field, I sit down at the kitchen table and browse through its pages.  The essays and other auxiliary matter are absorbing reads for anyone who loves prairie.

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Sure, you can use the excellent, free iNaturalist app on your cell phone for basic prairie plant ID. I use it too! But  there is no substitute for a good field guide.

In preparation for the spring season, I’m working on prairie seedling ID. Like sedges, those new shoots and leaves are a challenge to figure out.  Sure, some seedlings are distinctive from the start, like prairie alum root or wood betony. But the grasses? Tough.

Two books have been particularly useful to me this year: The Tallgrass Prairie Center Guide to Seed and Seedling Identification in the Upper Midwest by Dave Williams (another great Bur Oak book) and the Prairie Seedling and Seeding Evaluation Guide (Paul Bockenstedt, et al.) I picked up the spiral edition of Prairie Seedling on a visit to University of Wisconsin-Madison’s Arboretum Bookstore on a whim, and was glad I did.

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The Tallgrass Prairie Center’s guide has color photographs that highlight the critical points of identification, as well as seed sizes and characteristics. Take a look.

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The Prairie Seedling guide’s spiral format makes it easy to use in the field, and its nod to look-alike plants are a useful tool. Although not comprehensive, it has a solid 54 prairie plants and 26 weed species.

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If you love the tallgrass prairie—but are more interested in its stories than figuring out the plant names—-the best place to begin is with John T. Price’s edited volume, The Tallgrass Prairie Reader. Price presents essays on the prairie chronologically from the 19th to 21st Century. To read the almost 400 pages from start to finish is to begin to understand how people have viewed prairie over time—and how our ideas about prairie have changed. (Full disclosure: I’m delighted to have an essay in this compilation.)

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Another of John Price’s books, Not Just Any Land, explores our relationship to prairies through personal experiences. Paul Gruchow also loved the tallgrass prairie and wrote volumes about it; his Grass Roots: The Universe of Home (Milkweed) includes the iconic essay, “What the Prairie Teaches Us” that I’ve read aloud and shared with numerous nature writing classes, my prairie volunteers, and my tallgrass ecology students.

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Another of Gruchow’s marvelous books, Journal of a Prairie Year is a series of reflections and hikes on the prairie, month by month. I re-read it every year.  Other books that explore our relationship with prairie include William Least Heat-Moon’s PrairyErth, specifically focusing on Chase County, Kansas; Seasons of the Tallgrass Prairie, with Paul Johnsgard’s passion for prairie birds front and center; Buffalo for the Broken Heart which tells of Dan O’Brien’s work with bison and prairie in the Black Hills; and two books of spiritual essays, Jeffrey Lockwood’s Prairie Soul, which includes an exploration of religion and science, and my own By Willoway Brook, which I wrote on prayer as I was beginning to explore the Schulenberg Prairie at The Morton Arboretum.

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Tom Dean and I released a reflective book of full-color photographs and essays this spring that explores the connections between people and prairie: Tallgrass Conversations: In Search of the Prairie Spirit.  Short “conversations” are paired with images of prairie as we explore how the prairie has much to tell us about wonder, loss, home, joy, change, restoration, healing, and more.

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Tom and I are both big Paul Gruchow fans, so you’ll see Gruchow’s influence in the book.  There’s a little poetry in the pages as well.

 

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Images have a lot of power to engage people with the tallgrass prairie. In the books below, the photographs and drawings make a compelling combination. John Madson and Frank Oberle team up for the Nature Conservancy’s Tallgrass Prairie; Aimee Larrabee and John Altman put their talents to work in the gorgeous coffee table book accompanying their PBS documentary,  Last Stand of the Tallgrass Prairie; the incredibly talented artist Liz Anna Kozik puts a new twist on prairie restoration in her Stories in the Land; and Michigan’s prairies get a shout-out in the lovely Prairies and Savannas in Michigan by Ryan O’Connor, Michael Kost, and Joshua Cohen.

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Prairie aficionado? Plant nerd? Either way, these three books below on prairie ethnobotany — how people have used plants over time—will absorb you for hours on end. Native American Ethnobotany by Daniel Moerman is a compilation of the human uses of 4,000 plants, including many of the prairie, by specific tribes. Fascinating reading! Kelly Kindscher’s dynamic duo Medicinal Wild Plants of the Prairie and Edible Wild Plants of the Prairie are geared toward the prairie plants of Kansas, but I find plenty of useful information  when I teach prairie ethnobotany in Illinois. Plus, all three books give you a glimpse of a different time, when we were tightly connected to prairie as our grocery store, pharmacy, hardware store, craft supply, and love charm shop.

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What if you’re just beginning your journey to know and understand the prairie? These three books are a good place to start.  The Tallgrass Prairie: An Introduction assumes no prior knowledge of the prairie and invites the reader to explore, engage with, and build a relationship to this amazing landscape of home. I wrote it for my new prairie volunteers, prairie visitors, and friends and family members that were intrigued by the prairie, but didn’t want a long or complex read. Like longer books? Richard Manning’s engrossing Grassland: The History, Biology, Politics and Promise of the American Prairie is a satisfyingly deep dive into the subject, as is the poetic and beautifully written Where the Sky Began by the late John Madson.

For the prairie steward, restoration landowner, or prairie volunteer in your life who is serious about restoration and management techniques, check out these three books: The Tallgrass Prairie Center Guide to Prairie Restoration in the Upper Midwest (Daryl Smith, Dave Williams, Greg Houseal, and Kirk Henderson) is one of my go-to guides when I’m trying to figure out what to plant, herbicide, burn, or collect next. The Ecology and Management of Prairies in the Central United States is a terrific guide from the generous and inimitable blogger (The Prairie Ecologist) and Nature Conservancy’s Director of Science in Nebraska, Chris Helzer.  I learn a lot from Chris! Stephen Packard’s and Cornelia Mutel’s edited volume of essays, The Tallgrass Restoration Handbook is a classic, and one of the first books I purchased on prairie almost 20 years ago (there’s a newer edition available now) .

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There are beautiful prairie books for young readers.

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I confess I enjoy reading them myself. I love Carol Lerner’s out-of-print Seasons of the Tallgrass Prairie, which has solid information for elementary aged kids and up. Look at the page on deep roots, as one example.

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Claudia McGehee’s A Tallgrass Prairie Alphabet, (a beautiful Bur Oak book shown next to Carol’s book on the left),  is not just for kids. Check out this entry for the letter “X.” Wow.

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Any children’s book that has a sphinx moth and eastern prairie fringed orchid on the same page has my heart. ♥

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These are just a few of the books I turn to in order to deepen my relationship with native plants and the tallgrass prairie. These books have been mentors, friends, and companions in the field. They are a way to connect with prairie when the cold winds and weather keep me inside with a hot beverage and a warm afghan. They remind me that others are musing over the same questions I have about prairie ID and prairie stewardship; they help me feel companionship as I hike the prairies and reflect on how others have experienced them over time.

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This list is not exhaustive by any stretch of the imagination. Rather, it is presented here for your enjoyment and discovery. Maybe some will end up on your bookshelves!

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What prairie books do you reach for? Drop me a note here so we can share book recommendations.

Wahoo!   Books are so much fun…

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…especially on a cold December day. Don’t you think?

Happy reading!

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The opening quote is from Jane Austen’s Pride and Prejudice. Although her most famous line is likely “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife,” I prefer her quote about books. Read more about Jane Austen here.

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All non-book photos copyright Cindy Crosby and listed here (some photos appeared previously): unknown seedhead, Belmont Prairie Nature Preserve, Downer’s Grove, IL; staghorn sumac (Rhus typhina), Schulenberg Prairie, The Morton Arboretum, Lisle, IL;  road to Thelma Carpenter Prairie, Nachusa Grasslands, Franklin Grove, IL; Carolina saddlebags in May (Tramea carolina), Ware Field, The Morton Arboretum, Lisle, IL; little bluestem (Schizachyrium scoparium), Wolf Road Prairie, Westchester, IL; big bluestem (Andropogon gerardii), Midewin National Tallgrass Prairie, Will County, IL; wahoo (Euonymus atropurpureus), Schulenberg Prairie Visitor Station, The Morton Arboretum, Lisle, IL.

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Please join me for these upcoming classes and talks!

Sunday, December 8, 2-3:30 p.m.: Tallgrass Conversations at Prairieview Education Center, 2112 Behan Road, Crystal Lake, IL 815-479-5779 Book signing after the talk! $5 per person, registration recommended, details here.

Saturday, February 22 —Writing and Art Nature Retreat — at The Morton Arboretum, Lisle, IL. Details and registration information here.

Tallgrass Prairie Ecology online wraps up this month! Watch for the next online course in March. Register here.

Nature Writing Workshop: on-line and in-person begins March 3, 2020. Register here.

Find more at www.cindycrosby.com  

Making Sense of November’s Prairie

“Don’t you know, some people say, the winter is the best time of them all…”–Neil Young

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I like a good challenge, don’t you? So this mid-November, I’m challenging myself to discover what’s lovable about my least favorite month of the year on the prairie.

Can there really be anything good about November? Every where I see signs of loss. Leaves dropping. Days shortening. Temperatures plunging. I’m not going to lie—I’ve been pretty grumpy about the whole change of seasons so far.

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But what I found as I hiked reminded me of why this season has its own charms, its own distinctiveness. Need convincing? Read on….

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The sounds of the November prairieare so different than the sounds of late summer and early autumn. Sound travels farther and more clearly in cold weather if conditions are right; check out this interesting article here. Next time you’re hiking through the prairie on a frosty morning, listen. See if you agree.

 

SPMAbench111218WM.jpg The wildlife noises are also different than the summer orchestra of insect songs and bee-buzz. Woodpeckers suddenly become the stars of the savanna show after hovering in the background most of the summer. They hang out on the edge of the prairie; their sharp calls pierce the cold air and their drumming adds a staccato beat to the gray days. Nuthatches chatter companionably to each other. Their calls remind me of clown bicycle horns (listen here).

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This week in the Chicago region, the sandhill cranes are scrawling their calligraphy across the skies, migrating south. Their appearance signals a seasonal transition.  What are they saying to each other? Arguing over directions, maybe? If you have never heard sandhill cranes bugle from high overhead, it’s an other-worldly sound that speaks of movement and change. Intrigued?  Listen to them here. 

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A touch-y, feel-y kind of season… November is a wonderful time to engage that tactile side of your personality. Consider a compass plant leaf. Rub your fingers across the rough surface.  Notice the texture. The leaf gracefully arcs, bowing to the inevitable, concentrating its energy in the plant’s deep roots for winter.

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Slide your fingers along the big bluestem “stem.” Feel that polished smoothness? It’s said that early settlers found these stems made a great substitute for lost knitting needles. No word on what gauge size.

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Mmmm… those smells!… Go on, inhale. Wakes you up, doesn’t it? These damp, gray days of mid-November have their own particular scent. Earthy. The sharpness of cold. A whisper of plant decay. A tang of the last wild bergamot, which smells of a cross between Earl Grey tea and thyme. When I sniff the gray-headed coneflower seeds, it brings lemons to mind; maybe even a bit of licorice. The hot buttered popcorn scent of prairie dropseed is long gone; the sweet floral smell of the common milkweed is memory.

But November has its own perfumery.

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Tasty!  Ah, the last leaves of mountain mint. You can still find a few green-ish ones, if you look. They aren’t as pliable as they were back in July, but they retain a little minty zing.  The crumbly rosin of compass plant is still pleasant in the mouth; a bit piney and not as problematically sticky.

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And of course, there is plenty to seefor those who look closely.  The first serious snowfall—you know, where there’s actual white stuff on the tallgrass and not just flakes in the air—can’t help but spark delight. Sure, you’ll hear people  moan, “I’m not ready for this,” but seeing the first real snow on the ground is comforting. Despite politics, shootings, wildfires, and global tragedies, the seasons keep rolling along.

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The often-gray skies of November are a foil for the metallic colors of the grasses, which are a backdrop for the silhouettes of spent seedheads

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It’s a different way of seeing at this time of the year. More difficult to find the beauty. But it’s there.

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Don’t forget…as you use your five senses to explore the November prairie, there is “the sixth sense.” Making the connection of the heart to what we experience. November reminds us of our own mortality—of the cycle of great abundance and heartbreaking loss; growth and rest—that we experience during our short time on this planet.  November on the prairie is homely, humble, and quiet. It reminds us, as that great prairie writer Paul Gruchow wrote in Grass Roots: The Universe of Home,the work that matters doesn’t always show.”

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Like all months, November has its own experiences to offer. New things to teach me. A time for reflection.

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If I have the courage to look November squarely in its seasonal face, instead of avoiding it, maybe I’ll learn something.

So. Bring it on, November. I’m really to learn from you, and experience all you have to offer.

What about you?

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The opening epigram is from Neil Young’s song “Little Wing,” from his much-maligned album, Hawks and Doves. Despite mockery from my friends, this is one of my favorite Young albums. It will grow on you. Promise.

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All photos copyright Cindy Crosby (top to bottom) mixed November leaves, The Morton Arboretum, Lisle, IL; trail with light snow, Belmont Prairie Nature Preserve, Downer’s Grove Park District and The Nature Conservancy, Downer’s Grove, IL; bench overlooking Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white-breasted nuthatch (Sitta carolinensis), Schulenberg prairie edge, The Morton Arboretum, Lisle, IL;  sandhill cranes  (Antigone canadensis) over author’s backyard prairie patch, Glen Ellyn, IL; compass plant leaf (Silphium laciniatum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; big bluestem (Andropogon gerardii), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; November grasses and forbs, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; compass plant (Silphium laciniatum) rosin, Schulenberg Prairie,  The Morton Arboretum, Lisle, IL;  little bluestem (Schizachyrium scoparium), Midewin National Tallgrass Prairie, United States Department of Agriculture/Forest Service and The Nature Conservancy Illinois, Wilmington, IL; prairie cinquefoil (Drymocallis arguta), Schulenberg Prairie, The Morton Arboretum, Lisle, IL;  butterflyweed (Asclepias tuberosa), author’s backyard, Glen Ellyn, IL;  bundleflower (Desmanthus illinoensis), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Willoway Brook, Schulenberg Prairie, The Morton Arboretum, Lisle, IL.

A Prairie Patchwork Quilt

“You have to keep taking the next necessary stitch, and the next one, and the next…you realize that the secret of life is patch patch patch. Thread your needle, make a knot, find one place on the other piece of torn cloth where you can make one stitch that will hold. And do it again. And again. And again. ” — Anne Lamott

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It’s a ritual of autumn. The changing of our summer comforter to a heavy quilt, made for us by a friend. A few nights ago, as sleet tapped against the window, I slipped into bed and pulled the quilt close under my chin. Admired the patchwork. Taupe, rust, emerald, peach. Grass-green and olive. Pearl. Oyster.

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As he quilted, our friend incorporated the transient autumn colors of prairie grasses into the coverlet. I was nestled into the prairie itself. Deep under. I might go dormant. Sleep for several months. Awaken to a cleansing fire in February, and leaf out. Be fresher. Vibrant. Renewed.

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It’s a heavy quilt, made from denims and corduroys; a quilt that—like the Midwestern prairies—looks tough and ready to handle anything the future might throw at it. A quilt for the ages.

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As I slipped off to sleep, I thought of the thousands of tiny stitches in this quilt and the prairie it reflects.  The time and the care that one person put into one quilt. And the time and the care — all the “stitches” that have been put into the care and repair of the grasslands which have been lost to us in the Midwest.

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How will the grasslands “quilt” be patched back together?

We need the conservationist in the field, who is bringing back the bison. One stitch.

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We need the research student, who is trying to understand why the bison make a difference to the upland sandpipers and prairie vole and the dung beetle. Stitch. Stitch. Stitch.

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We need the steward who cares for the remnant where the new bison are browsing, and reconstructs new prairie plantings close by. She knows these new plantings won’t exactly replicate the old, but she hopes, she hopes… .

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The activist at the state capital, who has ridden the bus and marched with a sign, and spent the day pleading the case of the natural world to the legislators. Stitch.

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We need the poet who sees  little bluestem, red and wet under November rains, rippling in the wind, and wrestles with just the right words to share what she sees on paper. More stitches.

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Or the textile artist, the photographer, or the painter…

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…creating images that share prairie in ways that open doors of understanding to those who may not have experienced prairie before. Stitch.

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The gardeners, who make their backyards their painter’s palettes. They plant prairie patches that swirl and glimmer with color and motion. A neighbor pauses. Asks a question. A spark is kindled. Another stitch.

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Or people like my friend the quilter, who took up his needle and created something beautiful.

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Each person who places each stitch—one carefully thought-out restoration, one painstakingly done research study on hands and knees in the cold and rain—each photograph, wall hanging, poem, book, song, painting, quilt—

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—adds another stitch to the patches of the prairie patchwork quilt. Brings us closer to the beautiful whole of the Midwestern tallgrass that once was complete, and now is lost.

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Keep hoping.

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Keep stitching.

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Sweet dreams.

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The opening quote is from Anne Lamott’s (1954-) Stitches: A Handbook on Meaning, Hope and Repair. Read some highlights of her book here.

All photos copyright Cindy Crosby: prairie patchwork quilt by Lynn Johnson; prescribed burn on the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Midewin National Tallgrass Prairie, United States Forest Service and The Nature Conservancy, Wilmington, IL;  volunteer collecting seed, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; bison (Bison bison), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL, compass plant  (Silphium laciniatum) with water droplets, Schulenberg Prairie, The Morton Arboretum, Lisle, IL , purple prairie clover (Dalea purpurea) on the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; clouds over the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; grasses in the rain at Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL;  photographer at Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Flint Hills prairie, Tallgrass Prairie National Preserve, U. S. National Park Service, The Nature Conservancy, Strong City, KS; fences at Midewin National Tallgrass Prairie, United States Forest Service and The Nature Conservancy, Wilmington, IL; savanna at Midewin National Tallgrass Prairie, United States Forest Service and The Nature Conservancy, Wilmington, IL;  Willoway Brook, The Schulenberg Prairie Savanna at The Morton Arboretum, Lisle, IL; harvesting big bluestem (Andropogon gerardii), Midewin National Tallgrass Prairie, United States Forest Service and The Nature Conservancy, Wilmington, IL; fall at Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; mouse tracks in the snow at the Schulenberg Prairie, The Morton Arboretum, Franklin Grove, IL.

And with ongoing thanks to my friend Lynn Johnson, whose beautiful prairie patchwork quilt warms me and my husband Jeff each winter.  Kudos, my friend.