Tag Archives: tall coreopsis

Prairie Tricks and Treats

“You were made and set here to give voice to this, your own astonishment.” — Annie Dillard

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Mother Nature pulled out her bag of tricks this weekend. First up: tropical storm Olga. She swept into the Chicago region Saturday, washing out roads and flooding creeks. Pools of water stand on the prairie. Wind decoupages the savanna trails with sifted leaves.

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Willoway Brook muscles over its banks, surging and submerging.

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Our resident great blue heron watches the weather unfold from a high bare branch.  Despite the bird’s great size, it weighs only five or six pounds. Why? Its bones are hollow.

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I watch the heron, and wonder. Male? Or female? Cornell, my favorite bird resource, tells me the female heron is smaller; otherwise, males and females look mostly similar.  Huh. Not much help, I’m afraid.

Olga, her temper tantrum spent, moves on and Sunday dawns to a scoured-blue sky. Jeff and I stroll the Belmont Prairie  to celebrate. The storm burnishes the Indian grass and big bluestem to bronze, copper, and golds; puffs of soaked seedheads soften the metallic stalks. The post-storm light so bright it almost hurts. It’s a treat after all that gloom and rain.

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Water-soaked rattlesnake master dries its seedheads in the sunshine.

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Its sharp-spined leaves are as striking as its seedheads, and makes it easy to spot in the tallgrass.

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Signs of recent restoration seed collection are everywhere. Clumps of Indian grass are lopped off. Some forbs show signs of positive pilfering. Belmont prairie volunteers have been busy! However, most thimbleweed seeds are still around, in all possible stages of seed production.

Tight and “green.”

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Q-tip topped.

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A few are full-blown. Ready for collection.

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All at once, or so it seems, the tall coreopsis leaves have turned the colors of a sunrise. A treat for the eyes.

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Tricks of the cold? Or of the shorter days? I’m not sure. I only know that autumn has come calling, and the prairie is transformed.

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Sunday’s sunshine gave way to fog on Monday. The Schulenberg Prairie is wreathed in mist.

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As I hike, the rising sun briefly lights the prairie.

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I watch it pull over the horizon, then sputter to a spark.

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It disappears behind the clouds. Poof! Gone.

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Even without much light, the prairie glows in the fog. Little bluestem and stiff goldenrod thread themselves into an impressionistic tapestry.

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The savanna offers its own colorful morning treats. Sumac. Boneset. Pale prairie plantain.

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Joe Pye weed and woodland sunflowers swirl seed-clouds under the changing leaves.

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Simple pleasures.

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Familiar seedheads, like these tall coreopsis, seem unfamiliar in the fog.

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Tricks of the light.

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The smell of sweet decay after the storm is oddly energizing. In less than a week, rain has soaked the prairie. Sun has baked it. Cold changed its colors. Now, the mist acts as a moisturizer. Fog dampens my skin. There’s a low hum of bird chatter low in the grasses; a nuthatch beeps its toy horn call from the savanna. My jeans are soaked.

I’m fully awake. Fully relaxed. Content.

The prairie at the end of October is a treat for the senses. It’s tough to see the month go.

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Goodbye, October.

We hardly knew ya.

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The quote that opens this post is from Pulitzer Prize-winning author Annie Dillard’s The Writing Life. I reread this book every year, and learn something new each time I do so.

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All photos copyright Cindy Crosby (top to bottom):  leaves on the savanna trail, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; Willoway Brook in flood, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; great blue heron (Ardea herodias), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; Belmont Prairie at the end of October, Downer’s Grove, IL; rattlesnake master (Eryngium yuccaolium), Belmont Prairie Nature Preserve, Downer’s Grove, IL; rattlesnake master (Eryngium yuccafolium), Belmont Prairie Nature Preserve, Downer’s Grove, IL; thimbleweed (Anemone cylindrica), Belmont Prairie Nature Preserve, Downer’s Grove, IL; thimbleweed (Anemone cylindrica), Belmont Prairie Nature Preserve, Downer’s Grove, IL; thimbleweed (Anemone cylindrica), Belmont Prairie Nature Preserve, Downer’s Grove, IL; tall coreoposis (Coreopsis tripteris), Belmont Prairie Nature Preserve, Downer’s Grove, IL; Schulenberg Prairie in the morning fog, The Morton Arboretum, Lisle, IL;  morning fog over bridge, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; bridge to the sun, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunrise with tall coreopsis (Coreopsis tripteris), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; little bluestem (Schizochryum scoparium) and stiff goldenrod (Oligoneuron rigidum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Schulenberg Prairie Savanna at the end of October, The Morton Arboretum, Lisle, IL; Schulenberg Prairie Savanna at the end of October, The Morton Arboretum, Lisle, IL; big bluestem (Andropogon gerardii), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; tall coreopsis (Coreopsis tripteris), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; unknown sumac (Rhus spp.), Belmont Prairie Nature Preserve, Downer’s Grove, IL; gray-headed coneflower (Ritibida pinnata) with switchgrass (Panicum virgatum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL.

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Join Cindy! Upcoming Speaking and Events

Tallgrass Prairie Ecology online wraps up this month! Watch for the next course in March. Registration opens on November 19 here.

Nature Writing continues at The Morton Arboretum, on-line and in-person through November 20. Next session begins March 3, 2020. Watch for registration soon!

Saturday, December 7, 1:30-3 p.m.: Join Cindy and The Morton Arboretum’s library collections manager Rita Hassert for Sterling Stories from the Arboretum Stacks, at the Sterling Morton Library, Lisle, IL.  Register here. A lovely afternoon enjoying little known Arboretum’s stories, and a quiet respite from the holiday hustle and bustle.

Sunday, December 8, 2-3:30 p.m.: Tallgrass Conversations at Prairieview Education Center, 2112 Behan Road, Crystal Lake, IL 815-479-5779 Book signing after the talk! Free and open to the public.

See more at www.cindycrosby.com   

The Art of Prairie Attention

“Paying attention: This is our endless and proper work.” — Mary Oliver

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The sun rises through the fog on the Schulenberg Prairie and Savanna.

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Everywhere, spiders hang misted veils. The spiders are present every day on the prairie—no doubt—but usually, spider webs are invisible. Until, as the writer Richard Powers writes in The Overstorythey are “dew-betrayed.”

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The spiders’ silk draperies, paired with the prairie’s autumn seed heads and dying leaves, coerced my attention for far longer on Monday morning than planned. My hike–which was supposed to be a doctor-mandated 30 minutes—was extended as I lingered. (Just five more minutes!) But how can you tear yourself away from a morning full of magic? One crystal web chandelier led to another….then another… .

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After the hike, as I enjoyed my morning cup of Joe, I stumbled on a wonderful article from BrainPickings about the art of paying attention. It’s framed around Marla Popova’s review of “On Looking: Eleven Walks with Expert Eyes” by Alexandra Horowitz. The gist of the book’s message is this: we can re-frame the ordinary by using different lenses to see what we usually miss. In the review, Popova recounts how Horowitz accomplishes “seeing” with new eyes by strolling through her city neighborhood with a visually impaired person,  a geologist, and her dog (to name just three lenses). Intrigued? Me too. Papova calls the book “breathlessly wonderful.” (It’s now on hold for me at the library.)

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I’ve been thinking more these days about the art of paying attention, and what it means to see with new eyes. One lens I use is books. Others writers  prod me to understand and view my familiar places through different lenses. I learn from their words. Then, I “see” more completely. tallcoreopsiswestsideprairieplantingMA93019WM.jpg

After surgery seven weeks ago, the simple act of walking my favorite prairie paths is no longer something I take for granted. What follows are a few images from a morning walk in the fog this week. They are paired with  favorite quotes I think about often, and a few new quotes I gleaned from Popova’s review.

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Read the quotes slowly. Reflect on what they say. Then, tuck these thoughts into your days ahead. I hope they speak to you as they have to me.

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“Attention without feeling is only a report.”–Mary Oliver

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“Choice of attention—to pay attention to this and ignore that—is to the inner life what choice of action is to the outer.” –W.H. Auden
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“These days cry out, as never before, for us to pay attention.” — Anne Lamott

 

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“How we spend our days, is of course, how we spend our lives.” — Annie Dillard

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“…we humans generally do not bother paying attention to much other than the visual.” –Alexandra Horowitz

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“For observing nature, the best pace is a snail’s pace.” — Edwin Way Teale

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“To learn something new, take the path that you took yesterday.” — John Burroughs

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“The art of seeing has to be learned.” — Marguerite Duras

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“Half of tracking is knowing where to look; the other half is looking.” — Susan Morse

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“Joys come from simple and natural things; mist over meadows, sunlight on leaves, the path of the moon over water. Even rain and wind and stormy clouds bring joy.” — Sigurd F. Olson

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“As we work to heal the land, the land heals us.”–Robin Wall Kimmerer

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“The art of seeing might have to be learned, but it can never be unlearned, just as the seen itself can never be unseen—a realization at once immensely demanding in its immutability and endlessly liberating in the possibilities it invites.”– Maria Popova

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“Beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.” — Annie Dillard

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“Absolutely unmixed attention is prayer.” –Simone Weil

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“Only those items I notice shape my mind.” — William James

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“The  thing you are doing now affects the thing you do next.” — Alexandra Horowitz

 

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“For the mind disturbed, the still beauty of dawn is nature’s greatest balm.” — Edwin Way Teale

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It’s an imperfect world.

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Life can be complicated.

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But often, when I hike the prairie, I feel the magic happening. A sense of wonder. The world feels like a beautiful place again. A place where hope is—perhaps—not out of the question. A place where life is always in process.

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Worth paying attention to.

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Mary Oliver (1939-2019) was, as the poet Maxine Kumin wrote, “an indefatigable guide to the natural world.” Among her numerous awards were the Pulitzer Prize and National Book Award.  Thanks to my wonderful husband Jeff, I was fortunate to hear her read and speak at Sanibel Island, Florida, for the Rachel Carson Lecture in 2014. Oliver died early this year at the age of 83.

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All photos copyright Cindy Crosby, taken at the Schulenberg Prairie, The Morton Arboretum, Lisle, IL unless noted otherwise: (Top to bottom)  fog over Willoway Brook; spiderwebs on asters (Symphyotrichum spp.), West Side prairie planting, The Morton Arboretum, Lisle, IL; tall coreopsis (Coreopsis tripteris) with spiderwebs, West Side prairie planting, The Morton Arboretum, Lisle, IL;  Indian grass (Sorghastrum nutans); tall coreopsis (Coreopsis tripteris) with spiderwebs, West Side prairie planting, The Morton Arboretum, Lisle, IL; big bluestem (Andropogon gerardii) with spiderwebs; Willoway Brook in the fog; bottlebrush grass (Elymus hystrix), Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; big bluestem (Andropogon gerardii); big bluestem (Andropogon gerardii); New England asters (Symphyotrichum novae-angliae); switchgrass (Panicum virgatum); unknown spider’s web; braided ladies tresses (Spiranthes cerneua); unknown spider building its web over Willoway Brook; cup plant (Silphium perfoliatum);  big bluestem (Andropogon gerardii); spiderwebs on tall coreopsis (Coreopsis tripteris); Hidden Lake Forest Preserve as fog is lifting, Forest Preserve District of DuPage County; Downer’s Grove, IL; unknown spider’s web; big bluestem (Andropogon gerardii); Schulenberg Prairie covered with dew; dawn over West Side prairie planting, The Morton Arboretum, Lisle, IL; broken spiderweb; spiderwebs on bur marigolds (Biden spp.), West Side prairie planting, The Morton Arboretum, Lisle, IL; unknown spider’s webs.

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Cindy’s forthcoming book is Chasing Dragonflies: A Natural, Cultural, and Personal History with Northwestern University Press (Summer, 2020), illustrated by Peggy Macnamara, artist-in-residence at The Field Museum in Chicago.

Join Cindy for “Nature Writing”, a blended online and in-person class, beginning online Wednesday, October 15! Details here.

Visit www.cindycrosby.com for more information on Cindy’s upcoming speaking and classes.

Fall Comes to the Prairie

“Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns.”–George Eliot

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The Canada geese are quarreling. I watch them elbow each other out of the way in mid-flight; honking and diving. Maybe they are arguing the mysteries of matter, or particle physics? After all, they’re at Fermilab, a government facility for particle physics and an accelerator laboratory just down the road from my house. The facility grounds are a  mosaic of beautiful natural areas, including prairies and wetlands. fermilabWMwilsonhall10118.jpg

The bison grazing nearby on the grounds seem more placid than the geese, untroubled by neutrino experiments or accelerator science.

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You can almost imagine their thoughts. Hey geese! Keep it down. What’s all the fuss about? At any rate, I’m not here to bison watch, and I have little patience for quarrels today, geese or otherwise. My destination is a prairie trail.pathatfermiprairie10118WM.jpg

Approximately one thousand acres of Fermilab Natural Areas, surrounding the government world of equations and physics, promises endless adventures. And today, there’s not a soul on the prairie path. Although it’s obvious I’m not alone.

Overhead, green darner dragonflies hover high above the tallgrass. Are they migrating south? Or waiting out their lives here? Hard to tell. But this late in the season I suspect they’re on their way to warmer places. Lately, a black saddlebags dragonfly, also migratory, has hung around my backyard, slow and torpid in the colder weather. Imagine those wings taking it thousands of miles! Close up the wing veination reminds me of ferns.

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I continue hiking, stepping in coyote scat on the trail. Oops! Better watch where I’m going. An insect sings a single note, as if struck from a tuning fork. Everywhere, there are tiny crackling sounds. Mice eating seeds? Birds rustling in the grasses? Leaves drying in the  sun? Part of the prairie’s mystery.

The dogbane or Indian hemp, as it is sometimes called, is gone to seed in places. Its soft silks contrast with the crisp, browning leaves of neighboring prairie plants and their tinker-toy stems.dogbaneindianhemp10118WM.jpg

Wildflowers are mostly of the goldenrod and aster variety, with a few exceptions. Some mountain mint. A last pale prairie Indian plantain bloom or two.

The stiff gentians, those party girls of the fall, are out in full regalia. Looks like a weevil might be crashing the fun.

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So many gentians! They are abundant here, like amethysts scattered deep in the tallgrass. Nearby, goldenrod galls create their own sort of green “flowers” everywhere I look.  Sometimes called “bunch galls” or “rosette galls,” they are formed by insects. Check out more about goldenrod galls here.

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You could enjoyably spend several hours searching for the different goldenrod galls (ellipse, ball, rosette, small bunch…), and reading up on their buggy creators. See one bunch gall, and suddenly the others come into focus.

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The rosin weed blooms are past, but their seedheads look like floral bouquets, don’t they? As pretty in seed as in flower.

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Everywhere there are riots of asters; including many species of white aster that I struggle to name. More easily ID’d is the ubiquitous New England aster, poised on the prairie like a satellite dish with fringe.

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It’s not all prettiness and pleasantry.  The tall coreopsis is in seed, towering over my head, and  I can’t resist pulling down a seedhead and digging into it with my fingernail even though I know I’ll be repelled. And I am. It oozes a smelly, oily substance—and I quickly let the stem spring back. Of all the seeds we collect each fall on the prairie, this is my least favorite. So pretty in bloom! So stinky in your hands.tallcoreposisWMFermi10118.jpg

Rot and decay, the calling cards of October, are juxtaposed with these last flushes of bloom and seed. A giant puffball lies shattered and corrupt, broken up by small mammals and now fodder for insect life.

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And in proportion to the slow decline of plants, the insects seemingly flourish. You don’t notice them so much at first, except for the mosquitoes who won’t be ignored. But take a moment and look—really look—at the grasses and flowers, and all at once, you realize they are teeming with insect life. So much diversity!

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Decay can be beautiful. The turn of the prairie dock leaf…

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The compass plant seedheads, dry and full of promise for new life.

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Wild quinine, its silvered seeds perhaps more lovely than the flowers themselves were.wildquinineWMFermi10118.jpg

In autumn, the balance of light to dark shifts, tipping ever-so-slowly toward darkness as the days go by. Change is in the air. Bloom to seed. Flourishing to decline. All this change is in evidence here this morning.

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So much to see in one short morning hike here! Who knows what other adventures will unfold this October on the prairie?

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The opening quote about autumn is from Mary Ann Evans (1819-1880), a Victorian-era English novelist and poet who wrote under the pen name George Eliot. She chose a man’s name to escape being thought of as a romance writer. Among her books are Middlemarch, The Mill on the Floss, and Silas Marner.

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All photos taken at Fermilab Natural Areas Interpretive Trail, Fermilab Accelerator Laboratory, Batavia, IL, unless otherwise indicated: Wilson Hall and prairie grasses; bison (Bison bison); prairie trail; black saddlebags dragonfly (Tramea lacerata), author’s backyard pond and prairie, Glen Ellyn, IL; dogbane or Indian hemp (Apocynum cannabinum):  stiff gentians (Gentianella quinquefolia); Canada goldenrod (Solidago canadensis) with probable bunch gall midge (Rhopalomyia solidaginis); Canada goldenrod (Solidago canadensis) with probable bunch gall midge (Rhopalomyia solidaginis); rosin weed (Silphium integrifolium) seedhead; New England aster (Symphyotrichum novae-angliae); tall coreopsis (Coreopsis tripteris) seedheads; decayed puffball (possibly Calvatia gigantea); partridge pea (Chamaecrista fasciculata) and an unknown species of ant; prairie dock (Silphium terebinthinaceeum) leaf; compass plant (Silphium laciniatum) seeds; wild quinine (Parthenium integrifolium); sky and grass in October. 

Evening of a Prairie Year

“Now is the time to understand more, so that we may fear less.” — Marie Curie.

Lately I’ve been reading the poetry of Jane Kenyon, which somehow seems to match these gloomy November days. “Let evening come,” she wrote in a poem by the same name, and it does come, doesn’t it? Whether you welcome it or not, we’re hurtling toward the winter solstice on December 21. Now, in November, it feels like the evening of the year is here.

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In this seasonal twilight, November on the prairie can seem a desolate month. Perhaps the vivid color and bright birdsong of late summer and autumn are still freshly imprinted on our minds.

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There is plenty of beauty in the November prairie. But it has a different sort of allure than previously found. It’s more of the way you feel drawn toward a much-loved person, all wrinkled and worn, and call her beautiful, even though others may call her plain.

It’s in the spirit of the place…

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…the familiarity of that place; its grace—perhaps more evident now in this season, without the fripperies of wildflowers or pageantry of butterflies; with less of a backdrop of birdsong.

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November is more about the beauty that comes from the love you have for a place that you’ve invested in. A place that has given back to you in a thousand intangible ways. This is, perhaps, what makes the prairie enchanting in your eyes, even in November.

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I remind myself of this as I walk the tallgrass trails in that classic November weather which makes it so difficult to be outside this month. The paths are by turn limned with ice or sloppy with mud depending on the vagaries of the temperature. Big snow flurries slapped us in the face with winter last week. Quickly melted.  Winds—cold winds that slice through your warmest jacket—made a howling appearance. Sunshine warms up the day for a few hours then disappears.

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Oh, November. At times, the gray days bring with them an unshakeable gloom. As the daylight hours become shorter, so does my temper. I have less margin. Motivation dwindles. Hibernation begins to sound attractive. Tallgrass-WBHHprairieIowa11917

November will never be July, or May, or even September, no matter how much I wish it to be sometimes. I love the sun! These gray days try the spirit.

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But experiencing November will take me a long ways into understanding December and January… and these experiences will make me a different person — one that is tougher, more appreciative, more open to change. More resilient.

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November has its own rhythms.

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Its own astonishments.

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Its particular slants of light and patterns.

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Rather than sigh and tuck myself indoors with a book, I’m going to meet November halfway.

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Off I go. Unafraid of the gloom and even darker days ahead. Trying to embrace November.

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How about you?

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Scientist Marie Curie (1867-1934), whose quote opens this post, was Polish in a time when being Polish was to be persecuted, and a scientist in a time when women were not welcomed as scientists. Unable to pursue higher education as a woman in her home country, she completed a PhD in France, and became the first person to win two Nobel prizes.

Jane Kenyon (1947-1995), whose poem “Let Evening Come” is mentioned in this post, writes unsparingly about the joys and terrors of the world. To read more about her and her work, look here.

All photographs copyright Cindy Crosby (top to bottom): Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa; Nachusa Grasslands in late summer, The Nature Conservancy, Franklin Grove, IL; Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa; big bluestem (Andropogon geraradii) Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Indian grass (Sorghastrum nutans), Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa; prairie dock (Silphium terebinthinaceum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa; gray-headed coneflower seedhead (Ratibida pinnata), Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa; leaves and acorns on the trail, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; bee balm (Monarda fistulosa), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; common milkweed (Asclepias syriaca) pod, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; tall goldenrod (Solidago altissima) Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa;  bluebird house with tall coreopsis (Coreopsis tripteris), Herbert Hoover Historic Site Tallgrass Prairie, West Branch, Iowa; Schulenberg Prairie Savanna , The Morton Arboretum, Lisle, IL.SaveSaveSaveSave

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Space and Place on the Prairie

 

“How long does it take to know a place?…Abstract knowledge about a place can be acquired in short order if one is diligent. The visual quality of an environment is quickly tallied if one has the artist’s eye. But the ‘feel’ of a place takes longer to acquire. It is made up of experiences, mostly fleeting and undramatic, repeated day after day and over the span of years. It is a unique blend of sights, sounds, and smells, a unique harmony of natural and artificial rhythms such as times of sunrise and sunset, of work and play. The feel of a place is registered in one’s muscles and bones… . Knowing a place, in the above senses, clearly takes time. It is a subconscious kind of knowing.”– Yi-Fu Tuan

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I have the good fortune to live next to a respected taxonomist, whose suburban yard overflows with hundreds of native plants. Once, I asked him the best way to go about increasing my own knowledge of the natural world. He thought for a moment, then said, “Look at your backyard, Cindy. Each day, learn a different plant you find there.”

Such simple advice. So difficult to take. Because of course, it requires…time.

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Dr. Yi-Fu Tuan, University of Wisconsin-Madison professor of geography emeritus,  writes, “How long does it take to know a place? Modern man, he says, is so mobile “that he has not the time to establish roots; his experience and appreciation of place is superficial.”

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Time. We race around, doing things, going other places. Knowing where we live is one of the the casualties.  How often I have heard people say, “I wish I had more time… ” “I just don’t have enough time… ” “If only I had time to… ” “There aren’t enough hours in a day… ” “If only I didn’t have to sleep… .”  I’ve said most of the same things myself. With hours in such short supply, should we despair of ever finding time to really “know” where we live? Much less, even something as seemingly simple as the names of the plants in our backyards?

Yes, it takes time to know a place. But, as Tuan also writes, even “an intense experience of short duration…can alter our lives.”

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All of us may attest to the power of short but memorable outdoor experiences that helped us know a place. My list of those experiences might include memories as simple as a childhood playspace under a forsythia bush.

A particular sunset.

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The coyote on a prairie trail in the rain, going about her business, oblivious to me sitting a few feet away. Sandhill cranes unexpectedly landing all around me in a field. An unexpected cloud of ebony jewelwing damselflies arising from a stream bank. Finding a fawn.

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You soak these moments into your bones; they permeate your subconscious mind, they echo through your dreams. These intense experiences inform the way you feel about a place. You don’t forget.

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But, you have to be there to have the experiences.  You have to show up. Even if it is only to sit in your backyard to key out plants, a field guide in one hand, the unknown green leaf in the other. You set aside time to let those moments happen. Or, at the very least, you cultivate an awareness that allows you to be awake to those moments when they do happen. To stop and pay attention to the moment.

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These moments are often unscripted. One evening, more than a dozen years ago, I sat in my car in the high school parking lot, waiting for my children’s band lessons to end.  I turned the ignition off and rolled down the window. The parking lot was unusually quiet. I watched geese lift off the football field and pull together the scarf of the sunset with their black, bowling pin shaped bodies, on their way to Hidden Lake nearby.  A few clouds scrolled across the sky. The hot asphalt, the tic-tic-tic of the car cooling down, and drift of music from the band room were unlikely elements of anything special. The high school parking lot is a bland spot to have any intense experiences about place. But I can still frame that sky, those geese, that place in my memory, more than a decade later. There was an intensity of that moment, and one that was unplanned. It helped wake me up to where I lived at a time when I was struggling to pay attention to my life.

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Now, when I become cynical or jaded about the natural world, I’ll go looking for those moments intentionally. Usually, I head to my favorite prairie trail nearby, and take a walk.  If this fails to wake me up, I’ve found seeing the prairie with a child often often opens it to me in a new way again.

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If you’ve walked with a child, you know they don’t feel the press of time as we do. In summer, they are perfectly content to stop and watch bees work flowers for a good long while, or in winter, explore the holes prairie voles make in snow—look for the entrance and exit spots, mark them with sticks. A child thinks nothing of taking a net outside to catch butterflies in November. And why not? To a child, nothing is yet impossible.

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I need these reminders to slow down. To pay attention. To remember what it was like to be a child, to not use a calendar, to not have a to-do list. To feel time in the way a child does. Recapture that feeling that nothing is impossible, even in November.

I walk the prairie alone today—in November, yes, when much of what is going on in my life does seem impossible and completely unsolvable. This place, this prairie where I walk, is woven into my muscles and bones; it runs in my blood. I’ve walked it almost 20 years now. In my memory are the fires of prescribed burns I’ve helped set that have kept the tallgrass alive and vibrant.

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Ahead months away, in my imagination, are the blooms and grasses of summer, those rather iconic stereotypical pale purple coneflowers and Culver’s root; bright orange butterfly weed and yellow coreopsis; all the colors and pageantry of a landscape gone wild and rich with buzz and bloom; diversity and joy.

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Today, in real time, I hike a more subdued November prairie, its life ebbing; someone seemingly stepping on the brakes; the winds tinted with chill; the sun slanted toward the horizon; blackened stalks stark against the color-drained grasses. And yes. Seedheads shattering into the promise of something new. At least I tell myself this. I believe it because I’ve been on this trail at this time in this place before. And I’ve seen the cycle happen, again and again.

SPMA-11-17.jpg I’m content knowing I’m storing this walk, this sunset, this experience away in my memory. Building my relationship with the land. Continuing to develop a “feel” for a place I’ve loved for a long time, and still want to know better.

Time well spent.

****

The opening quote is taken from Dr. Yi-Fu Tuan’s (1930-) Space and Place: The Perspective of Experiencewhich offers fascinating glimpses into our relationship with both the natural and built environment. His book never fails to provoke me to thinking more deeply about the places where I spend my time and how and why I spend it as I do.

All photos copyright Cindy Crosby (top to bottom): white wild indigo (Baptisia alba), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; two-track in spring, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; tall coreopsis (Coreposis tripteris), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white-tailed fawn (Odocoileus virginianus) Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; switchgrass (Panicum virgatum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; eastern amberwing dragonfly (Perithemis tenera), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; little wood duck (Aix sponsa), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; smooth sumac (Rhus glabra), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; netting butterflies in the off season, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; prescribed burn, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; summer on the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie, The Morton Arboretum, Lisle, IL.

Rainy Day on the Prairie

“To one unaccustomed to it, there is something inexpressibly lonely in the solitude of a prairie.” — Washington Irving

***

October crayons its changes on the prairie.

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Rain moves in. The colors seem to wash from the trees…

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…into the tallgrass.

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The trees seem vulnerable; stressed by drought, their leaves shattered by wind and hard rain.

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The showers intensify grass colors.

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Everything looks pixelled, a little grainy, under lead skies.

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Brittle prairie plants are bright with raindrops. A contradiction of sorts.

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Fields of corn and soybeans press into the prairie on all sides. Trees and shrubs, waiting for their chance to take over, crowd the edges.

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Once shorn of their crops, it’s not difficult to imagine these vast agricultural spaces covered with tallgrass as they were hundreds of years ago.

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There is a sense of melancholy for what has passed—and what can’t easily be undone.

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An appreciation for what this rainy day on the prairie has to offer. Solitude. A different perspective on something familiar.

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Gratefulness for how the season opens us to new ways of seeing and thinking.

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An appreciation for what is happening now, in this moment.

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And the beginnings of acceptance of the bigger changes of a new season, still ahead.

***

Washington Irving (1783-1859), whose quote begins this essay, is sometimes called “the first American to make a living as a writer.” He is best known for his short Halloween-esque stories, Rip Van Winkle and The Legend of Sleepy Hollow from his book, The Sketchbook of Geoffrey Crayon, Gent.   A Tour on the Prairies, published in 1835 and from which the opening quote is taken, has never been out of print. Read more about Irving’s tallgrass travels here.

All photos copyright Cindy Crosby (top to bottom): late October landscape, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; late October landscape, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; late October landscape, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; late October landscape, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; tall coreopsis (Coreopsis tripteris), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; view of the visitor center, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; raindrop on cup plant (Silphium perfoliatum) leaf, author’s backyard prairie patch, Glen Ellyn, IL; corn, trees, and prairie, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; harvested field, somewhere between Franklin Grove and Rochelle, IL; unknown plant, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; late October landscape, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; late October landscape, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Carthage Road, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL 

October on the Prairie

“The sea, the woods, the mountains, all suffer in comparison with the prairie…The prairie has a stronger hold upon the senses.”– – Albert Pike

When you think of October, what comes to mind?

Pumpkins?

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Spectacular changing leaves?

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The prairie, which has lost most of its blooms, isn’t on most people’s radar.

Perhaps it should be.

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A few blossoms persist in the tallgrass, magnets for insects.

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The flowers gone to seed may be as beautiful as the blooms.

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Colorful grasses are easily overlooked, but no less worth our attention.

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Plant structure has its own beauty.

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As do plant silhouettes.

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Although the prairie is outwardly in senescence, its sensory pleasures continue. The play of light on prairie dock.

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The smell of damp earth. Decaying leaves. The unexpected flight of a buckeye butterfly as you hike a trail.

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Soft puffs of seed clusters, which foreshadow the snowflakes, only weeks away.

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Unlike the flashy reds and oranges of the autumn woodlands, the prairie is nuanced.

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As the year wanes…

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…much of this prairie season will be forgotten, fleeting. A blur of colors, textures, fragrances, and sounds.

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So let’s walk the prairie trails.

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Experience what each day in October has to offer. Soak up every detail. And be grateful that we are here, present in this moment.

***

The opening quote is from Albert Pike’s Journeys in the Prairie ((1831-32). Pike (1809 –91) was a soldier, poet, newspaper journalist, and early explorer.

All photos copyright Cindy Crosby and are from the Schulenberg Prairie at The Morton Arboretum in Lisle, IL, unless noted otherwise: pumpkin patch, Jonamac Orchard, Malta, IL; maple in October (Acer spp.), Sterling Pond, The Morton Arboretum, Lisle, IL; sumac (Rhus glabra), grasses and forbes at Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; pasture thistle (Cirsium discolor) with unknown bee and insect; non-native chicory (Cichorium intybus) with unknown pollinator;  compass plant (Silphium laciniatum); tall coreopsis (Coreopsis tripteris); big bluestem (Andropogon gerardii); big bluestem (Andropogon gerardii); bee balm (Monarda fistulosa), late figwort (Scrophularia marilandica); pasture thistle (Cirsium discolor); prairie dock (Silphium terebinthinaceum); buckeye butterfly (Junonia coenia), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; white snakeroot (Ageratina altissima); pale Indian plantain (Arnoglossum atriplicifolium), little bluestem, Canada wild rye (Elymus canadensis); waning October moon; sumac out of focus (Rhus glabra); trail through the prairie in October.