Tag Archives: the nature conservancy

Spring Fever on the Prairie

“It’s spring fever. That is what the name of it is. And when you’ve got it, you want—oh, you don’t quite know what it is you do want— but it just fairly makes your heart ache, you want it so!” –Mark Twain

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Spring? It’s giving us the cold shoulder on the prairie.

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What a wacky, wicked April. Many prescribed burns were done late or not at all. Snowy days. Frigid nights. Wild winds. Plants stubbornly stay put under the blackened soil of the burned prairies. They know what’s good for them.

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On the edges of the prairie, the trees look dormant and colorless. What happened to the flush of green buds, the chatter of birds? Looking and listening, you’d think it was November instead of April.

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There’s hope.

Look carefully, under the fallen autumn leaves moldering in the woodlands and savannas surrounding the prairie. You’ll see the seasons are changing.  Spring beauties tentatively open in the infrequent sunny hours, pinstriped with pink. Euell Gibbons, best known for his books on wild food foraging and for appearing in  Grape-Nuts commercials, lauded the joys of the edible tubers, known as “fairy spuds.” He also cautioned that they were much too pretty to eat. I agree.

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Spring is in the half-dressed bloodroot blooms, unfurling cautiously, testing the air.

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If you look hard, you may find some blooms.  In the past, various concoctions of bloodroot have been used medicinally, including to control dental plaque, but today, those uses come with a lot of cautionary talk.

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Spring is in the hepatica blooming along the edges of the prairie, its persistent leaves worn and ragged after being nibbled during the winter. First the furry buds appear.

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And then…

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Wow, that color!

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We need hepatica in bloom this week! It’s a morale booster.

Spring is in the tender new leaves of Dutchman’s breeches.

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The fringed growth promises delicate flowers, just days away.

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Spring is in the pasque flowers which escaped the flames of a prescribed burn. The buds look furred against the cold.

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In my backyard prairie planting, shooting stars green up, ready to take off…

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…and skyrocket into bloom. Imagine that pink! Soon.

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Sure, the April skies are gloomy. And we’re winter-weary.

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Hang on to hope.  Look for the clues. Bright spots in the landscape—if you pay attention.

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Everything is about to change. Do you feel it? Spring is coming.

Believe it.

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Mark Twain (1835-1910), whose quote opens this post, is the pen name for Samuel Clemens, an American writer, riverboat pilot, failed gold prospector, and inventor.  He grew up in Hannibal, Missouri, on the Mississippi River, and his pen name, Mark Twain, is steamboat slang for “twelve feet of water.” One my favorite Twain quotes: “The secret to getting ahead is getting started.”

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All photos copyright Cindy Crosby (top to bottom): Pasture thistles (Cirsium discolor) in the April snow, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; just-burned Schulenberg Prairie, The Morton Arboretum, Lisle, IL; bare trees in April with an unknown hawk, Kankakee Sands, The Nature Conservancy, Morocco, IN; spring beauties (Claytonia virginica), The Morton Arboretum, Lisle, IL; bloodroot emerging, Schulenberg Prairie Visitor Station, The Morton Arboretum, Lisle, IL; bloodroot in bloom, Schulenberg Prairie visitor Station, The Morton Arboretum, Lisle, IL; hepatica (Hepatica nobilis acuta) emerging, The Morton Arboretum, Lisle, IL; hepatica (Hepatica nobilis acuta) in bloom, The Morton Arboretum, Lisle, IL; hepatica (Hepatica nobilis acuta) in bloom, The Morton Arboretum, Lisle, IL; Dutchman’s breeches (Dicentra cucullaria) emerging, The Morton Arboretum, Lisle, IL; Dutchman’s breeches (Dicentra cucullaria) in bloom, Franklin Creek Natural Area, Franklin Grove, IL; pasque flowers (Pulsatilla pantens), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; shooting star (Dodecatheon meadia) emerging, author’s backyard prairie planting, Glen Ellyn, IL; shooting star (Dodecatheon meadia) in bloom, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Kankakee Sands in the middle of April, The Nature Conservancy, Morocco, IN; goldfinch (Spinus tristis), Schulenberg Prairie, the Morton Arboretum, Lisle, IL.  Note: Please don’t pick, consume, or use wildflowers without permission and/or expert knowledge. Many are toxic and almost all are best left alone for us to conserve and enjoy. Happy spring! 

Rumors of Spring

“Wake up, wake up, wake up, wake up…” –Woody Guthrie

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There’s a rumor in northern Illinois that it’s spring. But not a lot of anecdotal evidence to support it. Talk to anyone and you’ll hear the usual early April grouching about gray days, unexpected snow, and temps barely nudging 30 degrees.

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Natural areas managers scramble to get in their last prescribed burns before spring commences in earnest.

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On most prairies,  fire has kissed the tallgrass and gone, leaving the earth stripped and covered with ash. If you don’t look closely, it can all seem a bit melancholy.

But look again.

The prairies are awakening. You can see it in the juxtaposition of what was lost, and what is green and new.

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Listen as April releases her icy grip on the tallgrass and wakes up the streams and springs.

The prairie knows it’s time to get moving.

Wake up, wood betony!

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Just one glimpse of your crinkly maroon leaves reminds me that your lemon-colored blooms are not far behind.

Come on, April wind and rain! Topple the old compass plant stalks that escaped the fires; let them meld with the earth, covered by new growth.

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Wake up, Virginia bluebells!

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I can’t wait until you color the woodlands around the prairies with your impossible blue.

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Pincushion the burned ground with green, prairie dropseed.

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Let’s get this season underway!

I want a front row seat…

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…as the prairie swings into a slow crescendo…

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… as the spring frogs chorus their approval…

…as from the ashes, the prairie is renewed.

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It’s time. Wake up!

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“Wake Up,” the lyrics of which open this post,  was written in 1954 by folk musician Woodrow “Woody” Wilson Guthrie (1912-1967). During his Oklahoma childhood, Guthrie’s older sister died in an accident, his family became bankrupt, and his mother was institutionalized. These tragedies—and later, the Great Depression and the Dust Bowl—gave him empathy with people who suffered, and heavily influenced his music. Guthrie, who died of Huntington’s Disease, wrote everything from children’s tunes to political protest songs. Read more about him here.

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All photos and videos copyright Cindy Crosby (top to bottom): gray skies on the prairie, Fermilab Interpretive Trail, Batavia, IL; prescribed burn, East Woods, The Morton Arboretum, Lisle, IL; video–the prairie greens up, Fermilab Interpretive Trail, Batavia, IL; snail shell and unknown green sprout on the prairie, Fermilab Prairie Interpretive Trail, Batavia, IL; video–water running through the prairie, Fermilab Prairie Interpretive Trail, Batavia, IL; wood betony (Pedicularis canadensis) leafing out, Fermilab Prairie Interpretive Trail, Batavia, IL; compass plant (Silphium laciniatum), Fermilab Prairie Interpretive Trail, Batavia, IL; Virginia bluebells (Mertensia virginica) leafing out, West Side Woodland, The Morton Arboretum, Lisle, IL; Virginia bluebells (Mertensia virginica) in bloom, Schulenberg Prairie Savanna, The Morton Arboretum, Lisle, IL; prairie dropseed (Sporobolus heterolepis), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; bench on Fermilab Prairie Interpretive Trail, Batavia, IL; switchgrass (Panicum virgatum) Fermilab Natural Areas, Batavia, IL; frog calls at Crowley Marsh, The Morton Arboretum, Lisle, IL; Nachusa Grasslands at the end of March, The Nature Conservancy, Franklin Grove, IL.

Prairie Dragonfly Mysteries

“Instinct is a marvelous thing. It can neither be explained nor ignored.” ― Agatha Christie

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I’m a big fan of mysteries. As a teenager, I burned through all of Agatha Christie’s classics, and I still love to pick up an occasional thriller that keeps me guessing. As a naturalist, part of my attraction to the outdoors revolves around a different sort of mystery. Science has a lot of answers. But there are many unsolved questions out there.

I like that. Perhaps nowhere is mystery so evident as when I try to understand dragonfly migration.

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This week, I’m prepping training workshops for two groups of dragonfly and damselfly monitors at the prairies where I’m a steward. We’re all volunteers, all citizen scientists collecting data that we hope will help future researchers learn more about these incredible insects.

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During the workshops, we’ll discuss the life cycle of the dragonfly. It begins with a little rough and tumble dragonfly romance and then, ovipositing or egg laying.

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Ouch! That’s got to hurt.

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At the two workshops, we’ll share ID tips for differentiating among the 100 or so dragonfly species in Illinois and the almost 50 damselfly species, plus the various variations among male, female, and immature individuals. Pretty straightforward stuff, for the most part.

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We’ll touch on the cultural history of dragonflies as well; their use in cuisine, art, and literature. I like this haiku by Basho: “Crimson pepper pod/add two pairs of wings and look/darting dragonfly.” You can see why he was inspired!

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Dragonfly cultural history and much of dragonfly natural history is explainable, at least to some degree. But dragonfly migration! That’s where it gets difficult.

Dragonfly migration is less understood than that of the monarch butterfly, whose travel habits have been exhaustively studied, immortalized in novels, and  whose migration journey continues to fascinate the general public.

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Or consider bird migration, the topic of many books like Scott Weidensaul’s excellent Living on the Wind, and the subject of countless research projects. Sure, there’s still mystery in avian migration. But plenty of information out there.

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Dragonfly migration? Not so much. The process remains veiled in mystery.  We do know a few things: at least four dragonfly species in Illinois (green darner, black saddlebags, wandering glider, and variegated meadowhawk) head south for the winter, and probably some damselfly species as well.

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But why these species? Why not others? Where do they go? What tells them to mass at the end of summer and fly, often in large swarms, to another place?

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The Xerxes Society is a wonderful place to discover what we do know about the science of dragonfly migration. As an organization dedicated to protect invertebrates and their habitats, they are a good clearing house for insect migration information. Got some extra time? Click through the link here and read more about how citizen science volunteers are contributing to our understanding about dragonfly migration.

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We do know that some dragonflies in North America may travel almost 2,000 miles south in the late summer and early fall. They often join raptors migrating south. Dragonfly offspring will travel the same distances, often with raptors, back north in the spring. Look around in science journals and on dragonfly websites and you’ll find comical images of green darners wearing tiny transmitters to track their movements; or complex studies of isotopes in dragonfly wings which help researchers determine their general place of emergence.

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But once you start reading, you realize just how little we know about these dazzling creatures. You get to the end of the dragonfly migration studies pretty fast. It’s a good PhD project for some future researcher! Learning more about what makes some dragonfly species born with an itch to travel.

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In April, we’ll begin to see the first battered and worn out dragonflies head north and arrive in the Midwest, heirs of those stalwart flyers who fled south last year. As dragonfly monitors, we’ll scribble about these early arrivals—and later, summer flyers and dragonfly departures—as hash marks on our data sheets. We’ll report the information to staff at our local prairies and natural areas. Then, in Illinois, we’ll upload it to www.illinoisodes.com, our state repository for this information. All very logical and linear isn’t it?

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At some point in the season, most of us will put our pencils down and pause for a moment. Overcome with wonder. How amazing that this tiny creature logged those miles and survived birds, weather, and traffic to be here, on this prairie! How incredible that we can bear witness to this phenomenon, even for a moment.  How satisfying to be a small cog in the wheel of the research that is being done for the future!

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And most of us will acknowledge this: Despite the data we’ll collect, despite all the facts we know, it’s that unknown that makes it so exciting to be a part of this citizen science project. The quest is part of the fun.

And we’ll marvel, in awe of the mystery of dragonfly migration.

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Agatha Christie (1890), whose quote opens this post, is the author of 66 mystery novels and 14 short story collections. Her books have sold more than a billion copies in the English language, and just as many in translation. My favorite quote of Christie’s: “The best time for planning a book is while you’re doing the dishes.”

Scott Weidensaul (1959-), who is mentioned in this post, is a Pennsylvania naturalist and writer. My favorite of his books, Living on the Wind,  examines the amazing world of bird migration. It was a finalist for the Pulitzer Prize in 2000.

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All photos copyright Cindy Crosby (top to bottom): black saddlebags dragonfly (Tramea lacerata), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; eastern amberwing dragonfly (Perithemis tenera), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; ebony jewelwing damselflies (Calopteryx maculata), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; damselflies in tandem, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; violet dancer damselflies (Argia fumipennis violacea), ovipositing in Willoway Brook, The Morton Arboretum, Lisle, IL; calico pennant dragonfly, male (Celithemis elisa), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; meadowhawk (Sympetrum, unknown species), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; monarch butterfly (Danaus plexippus) on butterfly weed (Asclepias tuberosa), International Crane Foundation, Baraboo, WI; great egret (Ardea alba) Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; wandering glider dragonfly (Pantala flavescens), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; slender spreadwing (Lestes rectangularis), Nomia Meadows Farm Prairie and wetlands, Franklin Grove, IL; American rubyspot damselfly (Hetaerina americana), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; river bluet damselfly (Enallagma anna), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; blue dasher dragonfly (Pachydiplax longipennis) Schulenberg Prairie, The Morton Arboretum, Lisle, IL; raw data sheet, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Carolina saddlebags dragonfly (Tramea carolina), Schulenberg Prairie, The Morton Arboretum, Lisle, IL.

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If you enjoyed this blogpost, check out some other dragonfly resources at the links referenced above and this excellent blog post from a few year’s ago: Cool Green Science’s “Dragonfly Migration: A Mystery Citizen Scientists Can Help Solve.” 

Local friends: If you’re interested in exploring more about dragonflies, join me at Nachusa Grasslands in Franklin Grove, IL,  Friday, March 30, 2018 for a dragonfly workshop. Register by e-mailing me at phrelanzer@aol.com.

Our Inland Prairie Sea

“The cure for anything is salt water: sweat, tears, or the sea.”—Isak Dinesen

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To refer to the tallgrass prairie as a “sea of grass” is almost cliché.

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And yet, when you juxtapose sea and prairie, you understand why the image comes so readily.

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Like many suburban Chicago prairie lovers, in the mud season of the year—late February to mid-March—I do my best to migrate south for a few days. Sunshine, salt water, and sandy beaches are restorative.

The sky over the Gulf of Mexico reminds me of the sky of the tallgrass prairie; open, limitless.

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The flattened waves of prairie grasses and wildflowers, weathered by wind and rain…

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…with blue-shadowed pockets of snow…

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…are in my mind as I watch waves slap the shore.

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Funny, isn’t it? Even when we leave the landscape we call home, it haunts us.

It’s not that everything is similar—far from it! The birds are different from those of the prairie in so many ways. The food they eat.

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The way they move.

 

 

Even their attitude.

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Many of the Gulf Coast birds I see are readying themselves for a long flight north. Soon, migration will bring them and others through the flyways of the Chicago region.

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No matter where I look in Florida, I find unexpected reminders of my life as a prairie steward.

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As much as I enjoy getting away from the Midwest in early March, my mind keeps wandering from the beach back to what’s going on in the tallgrass up north. Am I missing out on a prescribed burn? Has the skunk cabbage leafed out yet? What new birds are singing along Willoway Brook?

After five days in Florida, I’m ready to dive back into my prairie work.

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One great thing about traveling: At the end of the day…

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…sometimes a little displacement makes you appreciate the place you call home.

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Isak Dinesen (Baroness Karen Blixen) (1885-1962) authored Out of Africa and Babette’s Feast. Both were adapted as movies, and won Academy Awards.

All photos and video copyright Cindy Crosby (top to bottom): Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Captiva Island sunset, Florida; Captiva Island beach, Florida; Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Schulenberg Prairie at the end of February, The Morton Arboretum, Lisle, IL;  blue-shadowed pockets of snow, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; waves on the beach, Captiva Island, Florida; willet (Tringa semipalmataeating a crab (species unknown), Sanibel Island, Florida; video of sanderlings (Calidris albaand other shorebirds, Sanibel Island, Florida; great black-backed gull (Larus marinus), Sanibel Island, Florida; sandhill cranes (Antigone canadensis), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Buckthorn Lane street sign, Sanibel Island, Florida; brown pelicans (Pelecanus occidentalisdiving for fish, Sanibel-Captiva causeway, Florida; sunset with birds, J. N. Ding Darling National Wildlife Refuge, U.S. Fish & Wildlife Service, Sanibel Island, Florida. 

Weathering the February Prairie

“You know what they say about Chicago. If you don’t like the weather, wait fifteen minutes.”– Ralph Kiner

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Pick a card. Any card. The weather on the February prairie is as random as a shuffle of the deck. Who knows what each day will bring?

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This past week in the Midwest illustrates it. First, a glittering frost.

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Then snow, falling an inch an hour.

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Fog.

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Followed by floods of rain.

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Yo-yo weather. Keeping things interesting.

Brittle and weather-beaten; stripped of their leaves, seeds, and flowers,  prairie plants take on an unfamiliar look.

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Their identities keep you guessing; turning back for a second glance. Touching the plant, sniffing it for a sensory clue. Hmmmmm. 

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As the weather zigzags between snow and rain, freeze and thaw…

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…the last seedheads stand out on the prairie.

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Some of the seeds are whittled away by wind, weather, and critters.

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Others have stems which are completely bare.

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Changes in weather give the prairie plants one more chance to shine.

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Highlighted by sun, snow, and ice.

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As rain and flooding melt all the white stuff, and mud sucks our hiking boots at every step, you know the prairie is ready for change. You can hear the word whispered in the wind.

Fire. 

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In only days or weeks, we’ll light a match. What we see now will soon be archived as our memory of what once was. The scorched prairie will be ready for us—site managers and volunteers and stewards— to paint our hopes and dreams upon it. In our imagination, it will be a masterpiece of restoration. This will be the year.

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We study the forecasts, anticipating just the right weather conditions—humidity, temperature, wind direction— to set the prairie ablaze. Each day we shuffle the deck. Cut the cards. Turn one over. Rain. Snow. Fog. Ice.

We’re waiting for just the right card. The one that says Go!

I heard a cardinal sing his spring song this week, despite the heavy snows and other crazy weather changes.

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It won’t be long.

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The opening quote is by Ralph Kiner (1922-2014), a major league baseball player and outfielder with the Pittsburgh Pirates, Chicago Cubs, and Cleveland Indians. Kiner was an announcer for the New York Mets until his passing. He was elected to the Baseball Hall of Fame in 1975, and known as one of baseballs “most charming gentlemen.”

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All photos copyright Cindy Crosby (top to bottom): pale purple coneflower (Echinacea pallida), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DRN, Downer’s Grove, IL; frost at Hidden Lake Forest Preserve, Forest Preserve District of DuPage County, Downer’s Grove, IL; frost at Hidden Lake Forest Preserve, Forest Preserve District of DuPage County, Downer’s Grove, IL; snowy day, Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DNR, Downer’s Grove, IL;  foggy morning near Danada Forest Preserve, Forest Preserve District of DuPage County, Wheaton, IL; late figwort (Scrophularia marilandica), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; compass plant (Silphium lacinatum), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DNR, Downer’s Grove, IL; wild quinine (Parthenium integrafolium), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DNR, Downer’s Grove, IL;  stream through Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DNR, Downer’s Grove, IL; prairie cinquefoil (Drymocallis arguta), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; purple prairie clover (Dalea purpurea), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white vervain (Verbena urticifolia), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; gray-headed coneflower (Ratibida pinnata), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DNR, Downer’s Grove, IL; rattlesnake master  (Eryngium yuccifolium), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Illinois DNR, Downer’s Grove, IL; prescribed burn sign, The Morton Arboretum, Lisle, IL; monarch (Danaus plexippus) on butterflyweed (Asclepias tuberosa) Schulenberg Prairie, The Morton Arboretum, Lisle, IL; cardinal (Cardinalis cardinalis ), author’s backyard prairie, Glen Ellyn, IL. 

Why (Prairie) Words Matter

“‘Remember, the firemen are rarely necessary. The public itself stopped reading of its own accord.’”– from Ray Bradbury’s Fahrenheit 451, on burning books.

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While hiking an unfamiliar prairie this past weekend, I came to a stream, limned with ice.

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The bridge spanning the waterway was gone. Hmmm. My choices were simple. I could turn back. Hop from slick rock to slick rock. Or, wade the shallows to the other side, and get my feet wet. Reluctantly, I chose the path of least resistance and retraced my path. The rest of the prairie would have to wait for another day’s exploration, better footwear, or the bridge repair.

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As one who seeks to know new places more intimately, I’m reminded that the loss of bridges—connecting points—-matter.

As a writer, I get that as well. Words are bridges. They have the capability to connect us to places—and to dynamic ideas. They elicit memory. They provoke action. They stimulate emotion. They are a springboard for the imagination.

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How many times has a parent told you, “Her first word was—-.”  Or a grieving person: “His last words were—–.” Words are significant! Our ancestors also knew the importance of words. The First Amendment notes, “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press… .” Words matter. Losing words matters.

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When we lose particular words about place, we lose part of the collective memory of our people. These words comprise a slice of our identity. They are the language of the place in which we live. More specifically, when we lose prairie-related vocabulary, we break links that join us to the tallgrass; specific identifiers that bind us to a place.

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Words are one way we give human voice to a land that speaks in prairie dropseed, bobolinks, and dung beetles. Naming things brings them to our attention, just as learning the name of someone we meet makes them more memorable, more “real” to us.

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When we learn the name for a particular sedge or a specific bee, we can visualize it, even when it isn’t in front of us.  In a time when tallgrass prairie is dubbed one of the most threatened natural areas on earth, to lose any of these names is to lose some of our momentum in cherishing and caring for it.

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We’re lazy.  We don’t have enough time, do we? It’s easier to use non-descriptive, bland words that trip easily off the tongue. Ecosystem. Landscape. Grasses. Plants. Bugs. Use generalities and the prairie becomes a blur, a non-entity.

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There is rhythm and motion in the prairie vocabulary; joy in the particulars. Delight in the common names: Canada wild rye. Regal fritillary. Hoary puccoon. Cream wild indigo. Try saying some of the scientific names out loudBison bison. (That double whammy! Like a drumbeat.) Or, Monarda fistulosa. Spiza americana. Let these descriptive words roll off your tongue: Mesic. MollisolsLoess.

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Speak the words. Keep them in front of people.

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It’s a fragile hold we have on these words.  Don’t let anyone tell you otherwise.

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As we draw toward the winter solstice on Thursday—the shortest, darkest day of the year—remember the light that words can bring into the world. Words of color and sound. Words of hope. Words of restoration. Words of promise.

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Specific words matter.

Let’s use them.

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Ray Bradbury’s (1920-2012) short, powerful book Fahrenheit 451, written in 1953 about a post-literate society, seems almost prophetic more than six decades later. Bradbury’s writing spanned many genres, from science fiction to fantasy, as well as a terrific book, Zen in the Art of Writing on the craft of putting words together well. My favorite is Dandelion Wine, his fictional memoir of growing up in Illinois.

All photos copyright Cindy Crosby (top to bottom): Willoway Brook, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; blown-out Queen Anne’s lace (Daucus carota) seedheads on Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL;  Indian grass (Sorghastrum nutans) Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; wild quinine (Parthenium integrifolium), Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL;  mixed grasses with smartweed (Polygonum spp.)  around the pond at Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; mountain mint (probably Pycnanthemum virginianum), Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve DeKalb, IL;  mixed grasses including Indian grass (Sorghastrum nutans) and switchgrass (Panicum virgatum) on Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; mixed grasses with little bluestem (Schizachyrium scoparium) on Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; Canada wild rye, Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; unknown sunflower seedheads (Helianthus spp.) with Canada wild rye (Elymus canadensis) Afton PrairieAfton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; wild cucumber (Echinocystis lobata), Afton Prairie, Afton Forest Preserve, DeKalb County Forest Preserve, DeKalb, IL; sunset, Russell Kirt Prairie, College of DuPage Natural Areas, Glen Ellyn, IL.

Thanks to John Heneghan and Tricia Lowery for taking us to Afton Prairie for our first visit there. And thanks to Joshua Clark and the good folks at DeKalb County Forest Preserve who care for Afton Prairie and its associated beautiful natural areas. Once again, a big shout-out to Paul Marcum and the ID gurus at Illinois Botany Facebook page for help with wild cucumber.

Space and Place on the Prairie

 

“How long does it take to know a place?…Abstract knowledge about a place can be acquired in short order if one is diligent. The visual quality of an environment is quickly tallied if one has the artist’s eye. But the ‘feel’ of a place takes longer to acquire. It is made up of experiences, mostly fleeting and undramatic, repeated day after day and over the span of years. It is a unique blend of sights, sounds, and smells, a unique harmony of natural and artificial rhythms such as times of sunrise and sunset, of work and play. The feel of a place is registered in one’s muscles and bones… . Knowing a place, in the above senses, clearly takes time. It is a subconscious kind of knowing.”– Yi-Fu Tuan

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I have the good fortune to live next to a respected taxonomist, whose suburban yard overflows with hundreds of native plants. Once, I asked him the best way to go about increasing my own knowledge of the natural world. He thought for a moment, then said, “Look at your backyard, Cindy. Each day, learn a different plant you find there.”

Such simple advice. So difficult to take. Because of course, it requires…time.

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Dr. Yi-Fu Tuan, University of Wisconsin-Madison professor of geography emeritus,  writes, “How long does it take to know a place? Modern man, he says, is so mobile “that he has not the time to establish roots; his experience and appreciation of place is superficial.”

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Time. We race around, doing things, going other places. Knowing where we live is one of the the casualties.  How often I have heard people say, “I wish I had more time… ” “I just don’t have enough time… ” “If only I had time to… ” “There aren’t enough hours in a day… ” “If only I didn’t have to sleep… .”  I’ve said most of the same things myself. With hours in such short supply, should we despair of ever finding time to really “know” where we live? Much less, even something as seemingly simple as the names of the plants in our backyards?

Yes, it takes time to know a place. But, as Tuan also writes, even “an intense experience of short duration…can alter our lives.”

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All of us may attest to the power of short but memorable outdoor experiences that helped us know a place. My list of those experiences might include memories as simple as a childhood playspace under a forsythia bush.

A particular sunset.

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The coyote on a prairie trail in the rain, going about her business, oblivious to me sitting a few feet away. Sandhill cranes unexpectedly landing all around me in a field. An unexpected cloud of ebony jewelwing damselflies arising from a stream bank. Finding a fawn.

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You soak these moments into your bones; they permeate your subconscious mind, they echo through your dreams. These intense experiences inform the way you feel about a place. You don’t forget.

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But, you have to be there to have the experiences.  You have to show up. Even if it is only to sit in your backyard to key out plants, a field guide in one hand, the unknown green leaf in the other. You set aside time to let those moments happen. Or, at the very least, you cultivate an awareness that allows you to be awake to those moments when they do happen. To stop and pay attention to the moment.

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These moments are often unscripted. One evening, more than a dozen years ago, I sat in my car in the high school parking lot, waiting for my children’s band lessons to end.  I turned the ignition off and rolled down the window. The parking lot was unusually quiet. I watched geese lift off the football field and pull together the scarf of the sunset with their black, bowling pin shaped bodies, on their way to Hidden Lake nearby.  A few clouds scrolled across the sky. The hot asphalt, the tic-tic-tic of the car cooling down, and drift of music from the band room were unlikely elements of anything special. The high school parking lot is a bland spot to have any intense experiences about place. But I can still frame that sky, those geese, that place in my memory, more than a decade later. There was an intensity of that moment, and one that was unplanned. It helped wake me up to where I lived at a time when I was struggling to pay attention to my life.

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Now, when I become cynical or jaded about the natural world, I’ll go looking for those moments intentionally. Usually, I head to my favorite prairie trail nearby, and take a walk.  If this fails to wake me up, I’ve found seeing the prairie with a child often often opens it to me in a new way again.

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If you’ve walked with a child, you know they don’t feel the press of time as we do. In summer, they are perfectly content to stop and watch bees work flowers for a good long while, or in winter, explore the holes prairie voles make in snow—look for the entrance and exit spots, mark them with sticks. A child thinks nothing of taking a net outside to catch butterflies in November. And why not? To a child, nothing is yet impossible.

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I need these reminders to slow down. To pay attention. To remember what it was like to be a child, to not use a calendar, to not have a to-do list. To feel time in the way a child does. Recapture that feeling that nothing is impossible, even in November.

I walk the prairie alone today—in November, yes, when much of what is going on in my life does seem impossible and completely unsolvable. This place, this prairie where I walk, is woven into my muscles and bones; it runs in my blood. I’ve walked it almost 20 years now. In my memory are the fires of prescribed burns I’ve helped set that have kept the tallgrass alive and vibrant.

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Ahead months away, in my imagination, are the blooms and grasses of summer, those rather iconic stereotypical pale purple coneflowers and Culver’s root; bright orange butterfly weed and yellow coreopsis; all the colors and pageantry of a landscape gone wild and rich with buzz and bloom; diversity and joy.

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Today, in real time, I hike a more subdued November prairie, its life ebbing; someone seemingly stepping on the brakes; the winds tinted with chill; the sun slanted toward the horizon; blackened stalks stark against the color-drained grasses. And yes. Seedheads shattering into the promise of something new. At least I tell myself this. I believe it because I’ve been on this trail at this time in this place before. And I’ve seen the cycle happen, again and again.

SPMA-11-17.jpg I’m content knowing I’m storing this walk, this sunset, this experience away in my memory. Building my relationship with the land. Continuing to develop a “feel” for a place I’ve loved for a long time, and still want to know better.

Time well spent.

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The opening quote is taken from Dr. Yi-Fu Tuan’s (1930-) Space and Place: The Perspective of Experiencewhich offers fascinating glimpses into our relationship with both the natural and built environment. His book never fails to provoke me to thinking more deeply about the places where I spend my time and how and why I spend it as I do.

All photos copyright Cindy Crosby (top to bottom): white wild indigo (Baptisia alba), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; two-track in spring, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; tall coreopsis (Coreposis tripteris), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white-tailed fawn (Odocoileus virginianus) Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; switchgrass (Panicum virgatum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; eastern amberwing dragonfly (Perithemis tenera), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; little wood duck (Aix sponsa), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; smooth sumac (Rhus glabra), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; netting butterflies in the off season, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; prescribed burn, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; summer on the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie, The Morton Arboretum, Lisle, IL.