Tag Archives: violet

Spring’s Contrasts on the Prairie

“April golden, April cloudy, Gracious, cruel, tender, rowdy...”–Ogden Nash.

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Spring on the prairie is a showcase of contrasts at the end of April.

Jacob’s ladder.

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Sand phlox. So small! Like a paper snowflake carefully cut out with scissors.

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Tiny blooms. Balanced by rough-and-tumble bison, the heavyweight champs of the prairie.

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Delicate spreadwing damselflies emerge from ponds to tremble in the sun.

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Furry beavers coast by, on their way to ongoing construction projects.

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There’s evidence of egrets. Their pale feathers a contrast to…

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…the bright buttery sunshine of marsh marigolds, with a lipstick red beetle.

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The beetle seems minuscule until a spider wanders into the scene. The line it throws is deceptively fragile looking. Yet, it’s strong enough to capture supper.

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There is life high above, in the flight of a blue heron scared up from the fen.

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While below, tossed carelessly in the grasses, are souvenirs of death.

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Life cut short.

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Beauty and terror co-exist, side-by-side.

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But the stars still come out –shooting stars! Make a wish.

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Life, death, rebirth. It’s all here…

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…at the end of April on the prairie.

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The opening quote is from the poet (Frederic) Ogden Nash (1902-71) and his poem, “Always Marry an April Girl.” Nash is known for his humorous rhyming verse, and his nonsensical words. An example: “If called by a panther/don’t anther.”

All photos copyright Cindy Crosby at Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL (top to bottom): Jacob’s ladder (Polemonium reptans), sand phlox (Phlox bifida bifida); bison (Bison bison); possibly sweetflag spreadwing (Lestes forcipatus) (ID uncertain); beaver (Castor canadensis); egret feather (Ardea alba); marsh marigolds (Caltha palustris) with an unknown beetle;  unknown spider; blue heron (Ardea herodias); bones in the grasses;  possibly red-winged blackbird egg (Agelaius phoeniceus) in nest; shooting star (Dodecatheon meadia) with nest; shooting star (Dodecatheon meadia); violet sorrel (Oxalis violacea) with an unknown pollinator. Thanks to Bernie Buchholz for showing me the sand phlox, and John Heneghan, for help with the nest ID.

Leaning into the Light

There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of leaning into the light. ~Barry Lopez

 

April rains soak the prairie. At last–May arrives.

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Days grow longer in the tallgrass. The prairie, burned just a few short weeks ago, is carpeted with emerald.  Sunshine warms the newly arisen plants.

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Prairie dock waves in the breeze.

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Compass plants unfurl their ferny leaves.

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The first few tentative blooms on the prairie appear.

Leaning into the light.

Violets spill over from the woodlands…

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Prairie smoke nods in shocking pink, ready to throw out its silks.

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Prairie dropseed spikes across the prairie in electric green.

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A few wild geraniums tentatively skirt the edges of the prairie, as does…

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… toothwort, spreading through the oak savanna.

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A barrage of bluebells stuns the eyes.

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A prairie trillium lifts its blood-dark bloom…

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…as wood betony spins its petals in swirls of butter yellow.

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Shooting stars appear as if from nowhere, arcing in a dance choreographed by the breezes.

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The long days of winter and darkness are over.  You can feel spring bubbling up through the landscape.

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Welcome back, light.

All photos copyright Cindy Crosby (top to bottom): storm, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; after the rain, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; prairie dock (Silphium terebinthinaceum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; compass plant (Silphium laciniatum) leaf uncurling, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; common violet (Viola sororia), The Morton Arboretum, Lisle, IL; prairie smoke (Geum trifloum), Meadow Lake prairie planting, The Morton Arboretum, Lisle, IL; prairie dropseed (Sporobolus heterolepis), Schulenberg Prairie, The Morton Arboretum, Lisle, IL;  wild geranium  (Geranium maculatum), The Morton Arboretum, Lisle, IL; cut-leaf toothwort (Dentaria laciniata, The Morton Arboretum, Lisle, IL; bluebells (Mertensia virginica) , The Morton Arboretum, Lisle, IL; prairie trillium (Trillium recurvatum), The Morton Arboretum, Lisle, IL; wood betony (Pedicularis canadensis), Nachusa Grasslands, Franklin Grove, IL;  shooting stars (Dodecatheon meadia), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sand boil, Nachusa Grasslands, Franklin Grove, IL.

The longer quote shortened at the beginning of this essay is from Barry Lopez’s book, Arctic Dreams and is as follows: How is one to live a moral and compassionate existence when one finds darkness not only in one’s culture but within oneself? There are simply no answers to some of the great pressing questions. You continue to live them out, making your life a worthy expression of leaning into the light. ~Barry Lopez, Arctic Dreams

The Language of (Prairie) Flowers

If a friend gave you a bouquet of Jacob’s ladder blooms, would it be a compliment?  Or not? To find out, it’s necessary to consider the Victorian language of flowers and their messages.

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I looked at the language of flowers with my wildflower ethnobotany class this week, as we hiked the woodlands and prairie, thinking about way people have viewed blooms throughout history: medicinal, edible, and ceremonial. The idea of attaching meanings to flowers, then sending these messages to your friend or lover by including specific blooms in a bouquet, first began in the early 1800s. Today, floral dictionaries proliferate. The meanings of flowers may vary from guide to guide. The  meanings people attach to each species often tell us something about the blooms themselves.

If you sent your love a bouquet of asters, you asked her for patience. Not surprising that asters were chosen for this sentiment, as they are the last blasts of color at the end of a long prairie growing season.

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Give someone a buttercup?  “You’re acting childish!” 

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Wild geraniums celebrated your piety.

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A lady’s slipper orchid told that special someone– you’re beautiful. Not difficult to see how this bloom got its assigned meaning! Knowing how rare these beauties are — and how long they take to bloom from seed –is to realize that  a wild orchid in a bouquet would be a travesty. Much better to admire them in their secret prairie places.

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Blazing star? –Try, try again. The disks or “blooms” along the stem open in sequence, one after the other, from the top down.

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To add a wildflower to your bouquet from the mustard family, such as the weedy yellow rocket, was to say, You hurt me! Our conservation group pulls this weedy invasive from the prairie; it’s an unwelcome intruder. We put the hurt on it!

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Marsh marigold –Let’s get rich! And wow –look at all that gold! The best possible kind of riches.

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Woodland phlox, or wild blue phlox –our souls are one. The sweet fragrance of these blooms is one of the signature smells of spring.

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In summer, the pale purple coneflower sends the perfect get-well message– wishing you good health and strength.  Below it is shown blooming with coreopsis (you’re always cheerful!) and butterfly milkweed (hope). Viewing these beautiful flowers together is a good cure for the blues, if nothing else.

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Trillium is considered a tribute to modest beauty. Hmmmm. Not sure how someone would receive that. But how beautiful this spring wildflower is, modest or not.

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Violets are a compliment about someone’s worthiness. The violet is also Illinois’ state flower. Although — 1908 lawmakers neglected to tell us exactly which of the eight species of violet in Illinois was chosen!

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And –oh yes — those Jacob ladder blooms mentioned at the beginning. The language of flowers tells us their presence in a bouquet was to ask the receiver to  let go of your pride.

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Guess you’d have to choose the right moment to give that bouquet!

Of course, the best (and only!) way to share the message of flowers today is to leave them blooming on their conservation sites. A spring morning spent discovering “bouquets” in place, or different species  with your friend or loved one, then looking at your photos or a field guide over a cup of coffee, reminds us that the value of these blooms is far more than what we immediately see or any messages we contrive to send through them. Rather, we celebrate not only their beauty but also, their struggle for survival, and their persistence in the face of all the odds. They teach us the vocabulary of careful conservation. They encourage us through their presence to preserve what  is left. Through these flowers, we learn the language of  paying attention.

And perhaps, that’s the best message of all.

(All photos by Cindy Crosby: From top: Jacob’s ladder (Polemonium reptans), Nachusa Grasslands, Franklin Grove, IL; New England asters (Symphyotrichum novae-angliae), Curtis Prairie, University of Wisconsin- Madison Arboretum, Madison, WI; swamp buttercup (Ranunculus septentrionalis), The Morton Arboretum, Lisle, IL; wild geraniums (Geranium maculatum), NG; small white lady’s slipper orchid (Cypripedium candidum), MA; blazing star (Liatris species), NG; yellow rocket (Vulgaris arcuata), MA; marsh marigolds (Caltha palustris), NG; phlox, MA; Schulenberg Prairie summer flowers, MA; white trillium (Trillium flexipes), MA; striped white violet (Viola striata), MA; Jacob’s ladder (Polemonium reptans), NG.)

Links to read more about the Victorian language of flowers include: Random House: www.randomhouse.com/rhpg/features/vanessa_diffenbaugh/flower-dictionary/ and Victorian Bazaar: http://www.victorianbazaar.com/meanings.html. There are many more to explore!