Tag Archives: white wild indigo

The Art of Prairie Restoration

This world is but a canvas to our imagination.” — Henry David Thoreau

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Winter is wonderful. Usually.

But this past week has been a rollercoaster ride of temperature swings from high 50s plunging to near zero; sunshine and gloom, snow and rain. In other words, typical. Fog blew in and settled on the prairies, coloring everything gray. A drag on the spirits.

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One of my go-to cures for the January blues—or should I say grays—is The Art Institute of Chicago.

I wander in. Immediately there is a blast of color and light in the Impressionist Gallery. Ironically, even the canvas,”Paris Street: Rainy Day,”  seems bright and cheerful.

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The Monet waterlilies…

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…bring back memories of summer in the prairie wetlands.

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I soak up the primary hues of paintings in the Modern Wing.

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Thinking of hikes through the snow this month…

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In unlikely stairwells, I stumble across reminders of  blue skies, obscured by clouds this week.

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I  imagine the prairie skies, hidden for so long behind shrouds of fog and curtains of snow and rain.

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As I stroll the halls and gaze at the creations showcased in this iconic place, it’s a good reminder of the courage of those who strove, against all odds, to create something beautiful out of nothing. These painters, sculptors, and other artists who had a vision.

Like some other folks I know.

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Prairie restorationists and artists have a lot in common. We think of restoration as a science. But it’s also about creativity.

Prairie restoration begins with a vision.

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The dream of how the land might be healed, imagined in the mind of a steward or site manager.

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There’s a lot of trial and error. Preliminary sketching, if you will; a few rough drafts. Sometimes, you scrap everything and start over.

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There may be misunderstandings along the way. People who don’t get it. They look at your “project” and shake their head. They wonder out loud if you have wasted your time.

“Weeds. It’s just a bunch of weeds.”

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Bet you’ve heard that one before, haven’t you?

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But you keep on moving forward. You believe in what you are doing. You look for the breakthroughs.

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Without imagination—without creativity—without courage—the best prairie restorations don’t happen.

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The rewards don’t always come in your lifetime. But the work you do isn’t for yourself, although the tallgrass is gratifying in a thousand different ways. You work, knowing you leave a legacy for those who will come after you. You think of them, as you drip with sweat, freeze, or pull weeds; plant seeds.

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You can see the future in your mind. Envision it. That end result. And as artists and restorationists know, it’s worth the work. It’s worth the wait.

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Think about it.

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The writer Henry David Thoreau, whose quote opens this essay, was a naturalist, philosopher, writer, transcendentalist, and social reformer. A favorite quote from Thoreau, “We can never have enough of nature.” His 1849 essay, “Civil Disobedience,” continues to stimulate thinking about human rights. His most famous book is “Walden.”

All photos copyright Cindy Crosby (top to bottom): prairie plants in the fog at Saul Lake Bog Nature Preserve, Land Conservancy of West Michigan, Rockford, MI; “Paris Street: Rainy Day,” 1877, Gustave Caillebotte, Art Institute of Chicago, Chicago, IL; “Waterlily Pond,” 1917-19, Claude Monet, European Painting and Sculpture, Art Institute of Chicago, Chicago, IL; prairie pond, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Clear Creek, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; “Yellow Hickory Leaves with Daisy,” 1928, Georgia O’Keeffe, American Art Gallery, Art Institute of Chicago, Chicago, IL; beech (Fagus sylvatica) leaves on snow, The Morton Arboretum, Lisle, IL; “Sky Above Clouds IV,” 1965, Georgia O’Keeffe, Art Institute of Chicago, Chicago, IL; sky over Tallgrass Prairie National Preserve, United States National Park Service, The Nature Conservancy, Strong City, KS; white wild indigo (Baptisia alba macrophylla) and volunteer weeding, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; volunteers collecting seed, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; butterflyweed (Asclepias tuberosa) seedpod, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; “A and the Carpenter “I”, Sam Gilliam, 1973, Modern and Contemporary Art, Art Institute of Chicago, Chicago, IL; barb wire and Queen Anne’s lace (Daucus carota), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; “Grayed Rainbow,” 1953, Jackson Pollock, Art Institute of Chicago, Chicago, IL;  ice and grasses, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; snowy trail through Belmont Prairie Nature Preserve, Downer’s Grove Park District, Illinois DNR, The Nature Conservancy, Downer’s Grove, IL; pasque flowers (Anemone patens, sometimes Pulsatilla patens), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; late summer on the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; “The Thinker,” Auguste Rodin, Rodin Exhibition, Art Institute of Chicago, Chicago, IL (add to the conversation here). 

A Prairie Pause

“Every day I see or hear something that more or less kills me with delight…it is what I was born for—to look, to listen… .” — Mary Oliver

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First-timers to the prairie in December may be underwhelmed. The grass colors are draining away; plants are nibbled and ragged. Shopworn.

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But, as the opening lines of the Mary Oliver poem above suggest, for those who hike and look during these gray days, December has its rewards.  Kaleidoscope skies delight us in the afternoons, straight out of a Van Gogh painting.

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Slow-burning sunsets, trailing scarves of fire, deliver quiet satisfaction. They end  some of the shortest days of the year.

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As a prairie steward at two different sites, I find December is a good time to reflect on the coming season. At home, I scribble in my notebook. RCG? means, “What will I do about the reed canary grass we can’t get rid of that’s infesting a high-quality area of the prairie?”  That caricature of a flower next to it is purple loosestrife, which consistently mounts a stealth operation into the west end of the stream from a subdivision across the road. A reminder that constant vigilance is the price of an invasive-free waterway.

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All of these invasive plants will be put on an “alert” list and dealt with in 2018. But for now, they are just words on paper. Something to think about in the abstract.

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And then, there is my prairie “wish list.” Oh, such possibilities! Maybe, adding a little cardinal flower in the wetter areas.

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Along the streambank, where the native Illinois bundleflower has become an aggressive bully,…

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…I can proactively place great blue lobelia. These “blues” may take root, and chase some of my problem plants away. Or, so I hope.

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I digitally page through online native plant nursery catalog offerings, make notes, calculate costs. Wonder what the possibilities might be. I pore over my prairie plant inventory list, made this season. What plants have gone missing this year? Who is new that showed up to the party, uninvited? Which species is getting a little aggressive, a little too territory-hungry? A little less monarda—a little more pasqueflower? 

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In my faith tradition, December is a time of waiting. A time of anticipation. Preparation. On the prairie, as a steward, I find the month of December to be much the same.

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A rest from herbicide management, writing workday summaries, or thinking about dragonfly populations in the creeks and ponds of the prairie wetlands.

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I like this rhythm of the seasons. I need a pause, one in which I’m not pulling weeds; collecting seeds. Sure, there are tasks that can be done—I’m still trying to wrap up some spreadsheets, finish some year-end reports—but let’s be clear. Nothing is screaming “spray me now!” No seeds I need are being eaten by birds, or explosively shooting off into the grasses before they can be collected.

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There is time to catch up on unread piles of articles; to thumb leisurely through a book or two on prairies that I’ve been meaning to read. Find journal essays online about dragonflies. Set workshop dates to train new monitors. Compare notes with other stewards. There is time—precious time—to untangle my thoughts.

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With gray skies wrapped around our days like a smothering cloak, the impulse to be indoors, instead of out, is strong.  No warm breezes beckon. I don’t wonder if I’m missing a new dragonfly species when I curl up on the couch with a mug of hot tea.  I don’t worry that the sweet clover has, seemingly overnight, overrun a new portion of the tallgrass. I can take a break, guilt-free. December is a simpler month; a welcome interlude in the busyness of the life of the prairie.

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I don’t know what the new year holds. I prepare as best I can. Scribble lists. Reflect. Dream a little. Prepare. Anticipate. Scribble some more.

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When I’m out hiking the trails, I imagine the prairies as they will be, vibrant and blooming in the spring. I look at them now, clear-eyed. Yes, they are brittle, a little shaggy. Ragged under their sprinkle of new snow. Different. But no less beautiful. Then I retreat back home to make a few more lists.

And I savor the pause.

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The opening verse is from Mary Oliver’s poem, “Mindful.” If you haven’t read the whole poem, and you love volunteering or caring for the tallgrass prairie in some way throughout the year, this poem is for you. Read it here.  It’s beautiful. Oliver (1935-) won the Pulitzer Prize in 1984. Her newest poetry collection is Devotions.

All photos copyright Cindy Crosby (top to bottom): prairie dock leaf (Silphium terebinthinaceum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; cloudy December skies over the Schulenberg Prairie at The Morton Arboretum, Lisle, IL; Gensburg-Markham Prairie Preserve, The Nature Conservancy, Illinois Department of Natural Resources, and Northeastern Illinois University, Markham, IL:  vigilant bullfrogs (Lithobates catesbeianus)  Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; ice in Willoway Brook, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; cardinal flower (Lobelia cardinalis), Nomia Meadows Farm prairie and wetlands, Franklin Grove, IL; Illinois bundleflower (Desmanthus illinoensis), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; great blue lobelia (Lobelia siphilitica), author’s backyard pond, Glen Ellyn, Il; pasque flower (Pulsatilla patens), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; path through Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Downer’s Grove, IL; eastern amberwing dragonfly (Perithemis tenera), female, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; ball gall at Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Downer’s Grove, IL; white wild indigo (Baptisia alba macrophylla), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; false sunflower (Heliopsis helianthoides), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset at Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Downer’s Grove, IL. 

A Prairie Wish and a Prayer

 “Labor brings a thing nearer the heart’s core.” –Mary Webb

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For prairie volunteers, it’s impossible to walk the tallgrass in December and not think of endings. This month is the symbolic culmination of a year’s worth of stewardship; the grand finale of planning, sweat, risk, small successes and—sometimes—epic failures. Three steps forward, two steps back.

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Take a deep breath. Look around you. Everything that can go to seed has flossed out; emptied itself into the wind and soil. Wade into the tallgrass. Bits of seed silk fly out in  pieces all around, a little prairie mock snowstorm.

Sun slants through seedheads; sparks stalks and stems into silver and gold.

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Hike the trails and mull over the season that has passed. Muse on the new season still to come. 

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In the distance, smoke hazes the prairie, tumbles above the treeline. 

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Natural resource managers, taking advantage of the warm, dry conditions, lay down prescribed burns in the nearby woodlands and wetlands. But not yet on the prairie. Soon, we tell the tallgrass. Very soon. Your turn will come.

December has been, by turns, warm and balmy; all sunshine then thunder; bitter and breezy.

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Listen closely as you hike the prairie trails and you’ll hear the tell-tale sounds of the end of juice and sap. The rustle of switchgrass. The brittle rattle of white wild indigo seed pods.

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The indigo stems snap off in 50 mph winds then roll, tumbleweed-like, across the prairie, scattering their progeny.

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Broken—but accomplishing their evolutionary task of moving around their DNA. In years to come, we’ll see the results: those incomparable white wild indigo blooms. Close your eyes. Imagine.

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But for now, look closely.  Who knows what you’ll see? A heightening of intense rusts and coppers, right before the final brutal bleaching freezes of January and February.

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Keep looking. You may see the occasional fluke or strange oddity as nature deals the tallgrass a wild card.

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Admire the blown-out stars of asters, spent for this season. Think of the seeds they’ve dropped in the rich black prairie soil, which now harbors a constellation of future blooms for the coming summer.

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New beginnings. They’re all here. Think of what weeding, a bit of planting, and a little dreaming might help this prairie become.
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So much possibility.
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Make a wish. Say a prayer.
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Your hard work may be mostly done for this season. But it has brought this little patch of tallgrass very close to your heart. Let your imagination run wild for what this prairie might become.

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Because on the prairie in December, anything for the coming year seems possible.

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Mary Webb (1881-1927), who penned the opening quote, was an award-winning English poet and romantic novelist. Her health ultimately failed from Grave’s Disease; her marriage failed as well and she died alone and with her last novel unfinished at age 46. Her writing reflects her fatalism and compassion for suffering. Gone to Earth (1917) expresses her horror of war; Precious Bane (1924), whose heroine has a disfiguring impairment, received the Prix Femina Vie Heureuse Anglais award, a French literary prize. She is known for her intense creativity, mysticism, and her love for the natural world.

***

All photos copyright Cindy Crosby (top to bottom): Schulenberg Prairie in December, The Morton Arboretum, Lisle, IL; cream wild indigo (Baptisia leucampha), Schulenberg Prairie, The Morton Arboretum, Lisle, IL;  unknown brome (Bromus spp.), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Downer’s Grove, IL; prescribed burn, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL;bee balm (Monarda fistulosa), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white wild indigo (Baptisia alba macrophylla) seed pods, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white wild indigo (Baptisia alba macrophylla) upside down stalks, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white wild indigo (Baptisia alba macrophylla), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Schulenberg Prairie in December, The Morton Arboretum, Lisle, IL; round-headed bush clover (Lespedeza capitata) with mutation because of fasciation (viral, genetic, chemical), Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Downer’s Grove, IL; unknown aster, Belmont Prairie Nature Preserve, The Nature Conservancy, Downer’s Grove Park District, Downer’s Grove, IL; common milkweed (Asclepias  syriaca) pods, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Indian grass (Sorghastrum nutans) and common milkweed (Asclepias syriaca) pappus, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; hand with common milkweed (Asclepias syriaca) pappus, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; Nomia Meadows Farm Prairie, Franklin Grove, IL.

Thanks to Illinois Botany FB page for their help with my question about fasciation and the round-headed bush clover, especially Paul Marcum. 

Space and Place on the Prairie

 

“How long does it take to know a place?…Abstract knowledge about a place can be acquired in short order if one is diligent. The visual quality of an environment is quickly tallied if one has the artist’s eye. But the ‘feel’ of a place takes longer to acquire. It is made up of experiences, mostly fleeting and undramatic, repeated day after day and over the span of years. It is a unique blend of sights, sounds, and smells, a unique harmony of natural and artificial rhythms such as times of sunrise and sunset, of work and play. The feel of a place is registered in one’s muscles and bones… . Knowing a place, in the above senses, clearly takes time. It is a subconscious kind of knowing.”– Yi-Fu Tuan

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I have the good fortune to live next to a respected taxonomist, whose suburban yard overflows with hundreds of native plants. Once, I asked him the best way to go about increasing my own knowledge of the natural world. He thought for a moment, then said, “Look at your backyard, Cindy. Each day, learn a different plant you find there.”

Such simple advice. So difficult to take. Because of course, it requires…time.

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Dr. Yi-Fu Tuan, University of Wisconsin-Madison professor of geography emeritus,  writes, “How long does it take to know a place? Modern man, he says, is so mobile “that he has not the time to establish roots; his experience and appreciation of place is superficial.”

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Time. We race around, doing things, going other places. Knowing where we live is one of the the casualties.  How often I have heard people say, “I wish I had more time… ” “I just don’t have enough time… ” “If only I had time to… ” “There aren’t enough hours in a day… ” “If only I didn’t have to sleep… .”  I’ve said most of the same things myself. With hours in such short supply, should we despair of ever finding time to really “know” where we live? Much less, even something as seemingly simple as the names of the plants in our backyards?

Yes, it takes time to know a place. But, as Tuan also writes, even “an intense experience of short duration…can alter our lives.”

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All of us may attest to the power of short but memorable outdoor experiences that helped us know a place. My list of those experiences might include memories as simple as a childhood playspace under a forsythia bush.

A particular sunset.

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The coyote on a prairie trail in the rain, going about her business, oblivious to me sitting a few feet away. Sandhill cranes unexpectedly landing all around me in a field. An unexpected cloud of ebony jewelwing damselflies arising from a stream bank. Finding a fawn.

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You soak these moments into your bones; they permeate your subconscious mind, they echo through your dreams. These intense experiences inform the way you feel about a place. You don’t forget.

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But, you have to be there to have the experiences.  You have to show up. Even if it is only to sit in your backyard to key out plants, a field guide in one hand, the unknown green leaf in the other. You set aside time to let those moments happen. Or, at the very least, you cultivate an awareness that allows you to be awake to those moments when they do happen. To stop and pay attention to the moment.

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These moments are often unscripted. One evening, more than a dozen years ago, I sat in my car in the high school parking lot, waiting for my children’s band lessons to end.  I turned the ignition off and rolled down the window. The parking lot was unusually quiet. I watched geese lift off the football field and pull together the scarf of the sunset with their black, bowling pin shaped bodies, on their way to Hidden Lake nearby.  A few clouds scrolled across the sky. The hot asphalt, the tic-tic-tic of the car cooling down, and drift of music from the band room were unlikely elements of anything special. The high school parking lot is a bland spot to have any intense experiences about place. But I can still frame that sky, those geese, that place in my memory, more than a decade later. There was an intensity of that moment, and one that was unplanned. It helped wake me up to where I lived at a time when I was struggling to pay attention to my life.

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Now, when I become cynical or jaded about the natural world, I’ll go looking for those moments intentionally. Usually, I head to my favorite prairie trail nearby, and take a walk.  If this fails to wake me up, I’ve found seeing the prairie with a child often often opens it to me in a new way again.

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If you’ve walked with a child, you know they don’t feel the press of time as we do. In summer, they are perfectly content to stop and watch bees work flowers for a good long while, or in winter, explore the holes prairie voles make in snow—look for the entrance and exit spots, mark them with sticks. A child thinks nothing of taking a net outside to catch butterflies in November. And why not? To a child, nothing is yet impossible.

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I need these reminders to slow down. To pay attention. To remember what it was like to be a child, to not use a calendar, to not have a to-do list. To feel time in the way a child does. Recapture that feeling that nothing is impossible, even in November.

I walk the prairie alone today—in November, yes, when much of what is going on in my life does seem impossible and completely unsolvable. This place, this prairie where I walk, is woven into my muscles and bones; it runs in my blood. I’ve walked it almost 20 years now. In my memory are the fires of prescribed burns I’ve helped set that have kept the tallgrass alive and vibrant.

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Ahead months away, in my imagination, are the blooms and grasses of summer, those rather iconic stereotypical pale purple coneflowers and Culver’s root; bright orange butterfly weed and yellow coreopsis; all the colors and pageantry of a landscape gone wild and rich with buzz and bloom; diversity and joy.

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Today, in real time, I hike a more subdued November prairie, its life ebbing; someone seemingly stepping on the brakes; the winds tinted with chill; the sun slanted toward the horizon; blackened stalks stark against the color-drained grasses. And yes. Seedheads shattering into the promise of something new. At least I tell myself this. I believe it because I’ve been on this trail at this time in this place before. And I’ve seen the cycle happen, again and again.

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Time well spent.

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The opening quote is taken from Dr. Yi-Fu Tuan’s (1930-) Space and Place: The Perspective of Experiencewhich offers fascinating glimpses into our relationship with both the natural and built environment. His book never fails to provoke me to thinking more deeply about the places where I spend my time and how and why I spend it as I do.

All photos copyright Cindy Crosby (top to bottom): white wild indigo (Baptisia alba), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; two-track in spring, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; tall coreopsis (Coreposis tripteris), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; white-tailed fawn (Odocoileus virginianus) Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; switchgrass (Panicum virgatum), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; eastern amberwing dragonfly (Perithemis tenera), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; little wood duck (Aix sponsa), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; smooth sumac (Rhus glabra), Schulenberg Prairie, The Morton Arboretum, Lisle, IL; netting butterflies in the off season, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; prescribed burn, Schulenberg Prairie, The Morton Arboretum, Lisle, IL; summer on the Schulenberg Prairie, The Morton Arboretum, Lisle, IL; sunset, Schulenberg Prairie, The Morton Arboretum, Lisle, IL.

Thorny Prairie Issues

“Our goals can only be reached through a vehicle of a plan, in which we must fervently believe, and upon which we must vigorously act. There is no other route to success.” –Pablo Picasso

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Although traditionally the New Year is when we set goals, October seems a good time to begin thinking about what’s next.

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This week finds me thinking about the management plan for the 100 acre prairie where I’m a steward supervisor. It’s a chance to work with the staff and consider what was accomplished or still needs finished as I wind things up in autumn.

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Much of the plan was made at the beginning of the year and concerns invasive plant removal—particularly, non-native plants. To name a few: sweet clover (Melilotus spp.), reed canary grass (Phalaris arundinacea), and garlic mustard (Alliara petiolata). There are others, of course.  But this trio comprises the chief invaders that threaten the diversity of this particular prairie.

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In the early years of stewarding, weeding out these three invaders pretty much comprised the whole of my management plan. But with the maturing of the prairie (55-plus years!) and the hard work over time by volunteers and staff, this season was different. No, we  didn’t conquer those three. But at last, they were knocked back enough that I could turn my eyes to some other problem plants that threatened the tallgrass.

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A “native plant” — one that evolved in Illinois—is usually thought of as a “good plant.” However, even good plants can go bad. Given our vigorous removal of non-natives over the years, a few native plants became bullies.  The extent of their rogue advancement across the prairie took me by surprise. It was so gradual, I hadn’t noticed.

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So. Out they came. Wild plum (Prunus americana).  Gray dogwood (Cornus racemosa). I discovered Illinois bundleflower (Desmanthus Illinoensis) had conducted a stealth slide along the banks of Willoway Brook, then slithered across the stream. Once I noticed, I found a solid wave of ferny leaves. We attempted to slow this species down by defensive seed collection; stripping the plants so they couldn’t add to their numbers. We’ll find out next season just how successful our efforts were.

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Today, I’m wrestling with brambles. Wild raspberries and blackberries are native to this part of Illinois where I’m a prairie steward. Normally, they are not a big deal, just a prickly part of the prairie landscape. But in the past several years, they’ve sent cane tentacles across the tallgrass, spreading throughout an area previously full of diverse, high-quality plants and shading them out. In short, becoming undesirable.

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Removing native brambles is a difficult proposition. Because they are surrounded on this prairie by high-quality native prairie plants—butterflyweed, gentians, prairie sundrops— no collatoral damage is acceptable.

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So, our prairie volunteers cut each bramble cane by hand. An applicator then paints the raw cut on the cane with the minimum amount of herbicide to knock it back. Our goal is not to completely eliminate the brambles, rather, to halt their aggressive spread.

This opens up room for other prairie plants to grow.

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Work like this is always part of a bigger plan on a restored or reconstructed tallgrass prairie. Each season, stewards and staff evaluate the prairie community. Are we allowing a wide variety of plants to become established? How are our prescribed burns affecting the insect and bird community?

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Is there a particular invasive plant—native or non-native—on which we should focus our efforts? If so, can we accomplish its removal by hand weeding? Or do we need to consider other methods?

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These are the conundrums that will keep us flexible, constantly making adjustments in management as we care for a vanishing biological community. One that we hope to keep vigorous and healthy for future generations.

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Setting goals. Having a plan.

Reflecting on the past. Thinking about the future.

All good occupations for anyone in the month of October.

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Pablo Picasso (1881-1973), whose quote opens this blog essay,  was a writer and artist from Spain. One of his many notable works is The Old Guitarist from his Blue Period, owned by The Art Institute of Chicago:  “… the image reflects the struggling twenty-two-year-old Picasso’s sympathy for the plight of the downtrodden; he knew what it was like to be poor, having been nearly penniless during all of 1902. ”

This week’s photos copyright Cindy Crosby all taken on the Schulenberg Prairie at the Morton Arboretum in Lisle, IL  (top to bottom): common milkweed (Asclepias syriaca); carrion flower (Smilax spp.) fruit; October on the Schulenberg Prairie; compass plant (Silphium laciniatum); October on the Schulenberg Prairie; pale purple coneflower (Echinacea pallida) seedhead;  black raspberry cane (Rubus occindentalis); gray-headed coneflower (Ratibida pinnata); compass plant (Silphium laciniatum); white wild indigo seedpods (Baptisia alba macrophylla); two jagged assassin bugs (Phymata spp.) eating an unknown fly on a pasture thistle (Cirsium discolor); Indian grass (Sorghastrum nutans);  little bluestem (Schizachyrium scoparium). 

A Thousand Prairie Details

” …few (if any) details are individually essential, while the details collectively are absolutely essential. What to include, what to leave out. Those thoughts are with you from the start.” –John McPhee

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“What to include, what to leave out?” How do you decide—when you try to describe September on the prairie?

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Look through the tallgrass kaleidoscope. Details change. From hour to hour; moment to moment.

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The prairie is a shape-shifter.

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Color and pattern maker.

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Each insect and plant outlined and highlighted.

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A few shocks of color. Burnt cherry.

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Pure purple.

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Other details, less colorful, still dazzle. Fizzy whites, knitted together by spiders; pearled by dew.

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Sheer numbers sometime disguise the finer elements.

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The particulars lost in a tangle. Taken out of context.

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The familiar becomes unfamiliar.

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The tiniest details create the sum of the whole. The autumn prairie.

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Dreamlike.

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Almost invisible at times. Camouflaged. But unforgettable.

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The magic of a thousand prairie details.

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They all add up to something extraordinary.

***

The opening quote is from John McPhee’s Draft No. 4: On the Writing Process.  McPhee (1931-) is the author of more than 30 books, and won the Pulitzer Prize in 1999 for Annals of the Former World.

***

All photos copyright Cindy Crosby (top to bottom): bur oak (Quercus macrocarpa) at the end of a trail, Taltree Arboretum Prairie, Valparaiso, IN;  white wild indigo leaves with spider silk, Taltree Arboretum Prairie, Valparaiso, IN; September in the tallgrass, Taltree Arboretum Prairie, Valparaiso, IN; three butterflies puddling (two male clouded sulphurs (Colias philodice) and an orange sulphur (Colias eurytheme)), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; prairie dock (Silphium terebinthinaceum) with morning dew, Taltree Arboretum Prairie, Valparaiso, IN;  yellow legged or autumn meadowhawk dragonfly (Sympetrum vicinum), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; New England asters (Symphyotrichum novae-angliae), Taltree Arboretum Prairie, Valparaiso, IN;  unseasonal bloom on white wild indigo in September (Baptisia leucantha), Taltree Arboretum Prairie, Valparaiso, IN;  nodding bur marigold (Bidens cernua), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL;  bison (Bison bison) hair on the trail, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Indian grass (Sorghastrum nutans) with dewdrops, Taltree Arboretum Prairie, Valparaiso, IN; early morning on the prairie, Taltree Arboretum Prairie, Valparaiso, IN; fog over Taltree Arboretum Prairie, Valparaiso, IN; eastern tailed blue butterfly (Cupido comyentas), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Indian grass (Sorghastrum nutans), Taltree Arboretum prairie, Valparaiso, IN.

A July Prairie Vocabulary

“I have come to understand that although place-words are being lost, they are also being created. Nature is dynamic, and so is language.” — Robert MacFarlane

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How can we fix a vanishing landscape like the tallgrass prairie in our minds and hearts?

It may start with words. Here are a few proposed vocabulary words for this hot July summer on the prairie.

Croakfloat:

A frog hanging out in a pond.

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Bumblebloom:

When two or more bees visit a flower.

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Petalrash: 

The splotches of color left behind when pale purple coneflower petals fade.

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Furflower:

What happens when a bison hybridizes with a compass plant.

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Powerpond:

When manmade meets prairie wetland.

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Monarchmagnet:

Any one of the native milkweeds (like this whorled milkweed) that provides life for monarch butterfly caterpillars.

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Bisondifference:

Being ignored by a small herd of bison.

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The July prairie season is in full swing.

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What new words will you add to our summer prairie vocabulary?

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Robert Macfarlane’s (1976-) opening quote is from his book Landmarks. In it he reminds us of the power of words, and lists many of the words that have been lost in describing the landscape of the British isles. Read what a New York Times reviewer said about it here.

All photos copyright Cindy Crosby (top to bottom): green frog (Lithobates clamitans), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; unknown bumblebees on white wild indigo (Baptisia alba macrophylla), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; pale purple coneflower (Echinacea pallida), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; compass plant (Silphium laciniatum) with bison (Bison bison) fur, Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; pond at Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; whorled milkweed (Asclepias verticillata), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; bison (Bison bison), Nachusa Grasslands, The Nature Conservancy, Franklin Grove, IL; Nachusa Grasslands in July, The Nature Conservancy, Franklin Grove, IL.SaveSave